Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 114
... fact neither of Shakespeare's King Lears but the King Lear familiar to students of the play and , at least in this century , familiar to playgoers for whom ad hoc abbreviations of the edited conflation are played . This essay - an essay ...
... fact neither of Shakespeare's King Lears but the King Lear familiar to students of the play and , at least in this century , familiar to playgoers for whom ad hoc abbreviations of the edited conflation are played . This essay - an essay ...
Seite 171
... fact that Aemilia and her family had been separated for 33 years has reminded one critic of the 33 years of Christ's life . " But what point could there be in any such association ? Since in the entire play there is nothing which ...
... fact that Aemilia and her family had been separated for 33 years has reminded one critic of the 33 years of Christ's life . " But what point could there be in any such association ? Since in the entire play there is nothing which ...
Seite 336
... fact of its own lie . ' Proteus ' is a name both of a contradiction and of a tautology . His name designates the essence of any name : its universal mutabil- ity . I have said that the scene between Julia and Lucetta has an anticipatory ...
... fact of its own lie . ' Proteus ' is a name both of a contradiction and of a tautology . His name designates the essence of any name : its universal mutabil- ity . I have said that the scene between Julia and Lucetta has an anticipatory ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words