Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 267
... language for a language of rueful diminution : And I , forsooth , in love ; I , that have been love's whip ; A very beadle to a humorous sigh ; A critic , nay , a night - watch constable ; A domineering pedant o'er the boy ,. This ...
... language for a language of rueful diminution : And I , forsooth , in love ; I , that have been love's whip ; A very beadle to a humorous sigh ; A critic , nay , a night - watch constable ; A domineering pedant o'er the boy ,. This ...
Seite 277
... language games transparently for prizes and praises , and to be ' singuled from the barbarous ' ( V. i . 81-2 ) , use every known and conceivable vice of language recognized in the rhetoric books of the day . The aberrations of language ...
... language games transparently for prizes and praises , and to be ' singuled from the barbarous ' ( V. i . 81-2 ) , use every known and conceivable vice of language recognized in the rhetoric books of the day . The aberrations of language ...
Seite 328
... language so effectively that Proteus sounds more and more depressed . Whereas the former uses longer and longer sentences , the latter keeps speaking in brief and sullen outbursts . Earlier in Verona , he had felt as glorious as ...
... language so effectively that Proteus sounds more and more depressed . Whereas the former uses longer and longer sentences , the latter keeps speaking in brief and sullen outbursts . Earlier in Verona , he had felt as glorious as ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words