Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 91
Seite 1
... opening scenes of Shakespeare's plays often approach this topic from the perspective of audiences rather than readers . Focusing on theatrical effectiveness , these critics consider how spectators unfamiliar with a play might react to ...
... opening scenes of Shakespeare's plays often approach this topic from the perspective of audiences rather than readers . Focusing on theatrical effectiveness , these critics consider how spectators unfamiliar with a play might react to ...
Seite 3
... opening scene do not articulate their distrust , they reveal in oblique comments such as Francisco's " I am sick at heart " that they suffer from the cancerous effects of Claudius's reign . To see soldiers and scholar agree in the ...
... opening scene do not articulate their distrust , they reveal in oblique comments such as Francisco's " I am sick at heart " that they suffer from the cancerous effects of Claudius's reign . To see soldiers and scholar agree in the ...
Seite 6
... opening speech tells us more about Iago than about Othello . The speech and his subsequent actions give us all we need to know about Iago's attitude toward the hero . 8. For a full discussion of inverted ceremony in the opening scene ...
... opening speech tells us more about Iago than about Othello . The speech and his subsequent actions give us all we need to know about Iago's attitude toward the hero . 8. For a full discussion of inverted ceremony in the opening scene ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words