Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 39
... playwright and audience . If so , the texts may provide a restorative ; the performances , truth and contentment . Through such prologues we gain a special insight into the playwright's artistic perspective , particularly his concern ...
... playwright and audience . If so , the texts may provide a restorative ; the performances , truth and contentment . Through such prologues we gain a special insight into the playwright's artistic perspective , particularly his concern ...
Seite 44
... playwright may determine the direction and outline of a conclusion , but only through rehearsal is it given the ... playwright's power to bring a work to a close . While in one sense it is the playwright who determines a play's ...
... playwright may determine the direction and outline of a conclusion , but only through rehearsal is it given the ... playwright's power to bring a work to a close . While in one sense it is the playwright who determines a play's ...
Seite 247
... playwright uses to negatively reassert the analogy's valid- ity . Love's Labour's Lost is an implicit critique of the self- persuading rhetoric and asocial lyricism of which it is largely composed - and , at some level , a critique of ...
... playwright uses to negatively reassert the analogy's valid- ity . Love's Labour's Lost is an implicit critique of the self- persuading rhetoric and asocial lyricism of which it is largely composed - and , at some level , a critique of ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words