Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 189
... plot and the main plot . ] I Virtually every good critical introduction to The Comedy of Errors apologizes for the play . Shakespeare was a mere youth , so the story begins , when he wrote the work , " still without too much to say ...
... plot and the main plot . ] I Virtually every good critical introduction to The Comedy of Errors apologizes for the play . Shakespeare was a mere youth , so the story begins , when he wrote the work , " still without too much to say ...
Seite 190
... plot appear to us as plausible and subject to rational explanation , the events remain fantastic and horrifying to the characters . Antipholus of Syracuse's bewildered cry , " Am I in earth , in heaven , or in hell ? Sleeping or wak ...
... plot appear to us as plausible and subject to rational explanation , the events remain fantastic and horrifying to the characters . Antipholus of Syracuse's bewildered cry , " Am I in earth , in heaven , or in hell ? Sleeping or wak ...
Seite 193
... plot debt as well as the mistaken nature of the debts in the main plot . Antipholus of Ephesus's far more troubled route leads from marital to monetary indebtedness , neither of which is resolved until the play's end . We first meet him ...
... plot debt as well as the mistaken nature of the debts in the main plot . Antipholus of Ephesus's far more troubled route leads from marital to monetary indebtedness , neither of which is resolved until the play's end . We first meet him ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words