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abilities acquired afterwards anecdotes appeared appointed artist assistance attended Barry became born catalogue character chiefly circumstance collection colouring conduct consequence considerable considered dated death decorations died drawings early employed employment Encouragement England engraved excellent executed exhibited formed fortune friends given guineas hand heads historical honour improvement introduced Italy John known lady landscape late latter lise lived London Lord manner master means meeting mentioned merit mezzotinto native nature notice observed obtained original painted painter particularly period person plate portrait possessed powers practised premium present principal prints productions profession published pupil rank received represented resided respectable returned Reynolds Rome Royal Academy sather sigures Sir Joshua sirst situation Society soon studied style success taken talents views visited young
Seite 197 - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind ; His pencil was striking, resistless, and grand ; His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Seite xxvii - Those who set their performances to general view, have too often been considered the rivals of each other ; as men actuated, if not by avarice, at least by vanity, and contending for superiority of fame, though not for a pecuniary prize. It cannot be denied or doubted, that all who offer...
Seite 133 - When I first knew him he lived at Bath, where Giardini had been exhibiting his then unrivalled powers on the violin. His excellent performance made Gainsborough enamoured of that instrument; -and conceiving, like the servant-maid in the Spectator, that the music lay in the fiddle, he was frantic until he possessed the very instrument which had given him SO much pleasure; but seemed much surprised that the music of it remained behind with Giardini!
Seite 83 - Apollo, who appears in the sky, with his bent bow, and that those figures should be considered as the children of Niobe. To manage a subject of this kind, a peculiar style of art is required : and it can only be done without impropriety or even without ridicule, when we adapt the character of the landscape, and that too, in all its parts, to the historical or poetical representation.
Seite 83 - Poussin, to achieve it. In the picture alluded to, the first idea that presents itself is that of wonder, at seeing a figure in so uncommon a situation as that in which the Apollo is placed ; for the clouds on which he kneels have not the appearance of being able to support him...
Seite 306 - Harvest-home or Thanksgiving to Ceres and Bacchus; the third, the Victors at Olympia; the fourth, Navigation, or the Triumph of the Thames; the fifth, the Distribution of Premiums in the Society of Arts; and the sixth, Elysium, or the State of final Retribution. Three of these subjects are poetical ; the others historical.
Seite 83 - ... and that too, in all its parts, to the historical or poetical representation. This is a very difficult adventure, and it requires a mind thrown back two thousand years, and as it were naturalized in antiquity, like that of Nicolo Poussin, to achieve it.
Seite 301 - That the series of pictures illustrating in their design the Progress of Human Knowledge, and the Advancement of useful and elegant Arts, from a very early period to the present, is a work of great execution and elassical information, and must be deemed a national ornament, as well as a monument of the talents and ingenuity of the artist.
Seite 86 - But that we may not seem desirous of concealing the defects in this artist's productions, we must observe, that Wilson, in the executive part of his works, was rather too careless, a defect which increased in the decline of his life, and that his foregrounds were at all times too much neglected and unfinished.