Alternative Shakespeares, Band 2
Introducing new debates and new theorists, this collection provides a broad cross-section of contemporary Shakespearen studies, including psychoanalysis, sexual and gender politics, race and new historicism. Shakespeare for the 21st c.Alternative Shakespeares, published in 1985, shook up the world of Shakespearean studies, demythologising Shakespeare and applying new theories to the study of his work. Alternative Shakespeares: Volume 2 investigates Shakespearean criticism over a decade later, introducing new debates and new theorists into the frame.Both established scholars and new names appear here, providing a broad cross-section of contemporary Shakespearean studies, including psychoanalysis, sexual and gender politics, race and new historicism.Alternative Shakespeares: Volume 2 represents the forefront of contemporary Shakespearean studies. This urgently-needed addition to a classic work of literary criticism is one which teachers and scholars will welcome.
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Introduction Terence Hawkes
After the new historicism Steven Mullancy
Cleopatras Seduction Catherine Belsey
Imprints Shakespeare Gutenberg and Descartes Margreta de Grazia
Locating the sexual subject Bruce R Smith
How to read The Merchant of Venice without being heterosexist Alan Sinfield
In what chapter of his bosom? reading Shakespeares bodies Keir Elam
Shakespeare and cultural difference Ania Loomba
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actors Alternative analysis Antonio appears audience become binary body boys called century characters Cleopatra colonial course criticism cultural describes desire difference discourse discussion drama early modern effect Elizabethan England English erotic essay European example face fact female fiction figure force gaze gender Hamlet hand human ideas identification identity ideological impressions imprint involved kind Lacan less letters literary London lust in action male marks Marxism material means mind mirror nature object observes offers Othello performance perhaps play political position practices present Press printing produced production question race racial recent reference relation remains Renaissance representation represented resistance seduction seems semiotics sense sexual Shakespeare social space spectator stage structure studies suggests symbolic theatre theatrical theory thing thought turn University Venus woman women writing
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Keine Leseprobe verfügbar - 2005