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Seite 1
It is to be modest : it is to be expressive : it is to be new : it is to be striking : it is to
have something in it equally intelligible to the man of plain understanding, and
surprising for the man of imagination —in a word, it is to be impossible. How far
we ...
It is to be modest : it is to be expressive : it is to be new : it is to be striking : it is to
have something in it equally intelligible to the man of plain understanding, and
surprising for the man of imagination —in a word, it is to be impossible. How far
we ...
Seite 62
—ON THE REALITIES OF IMAGINATION." THERE is not a more unthinking way
of talking, than to say such and such pains and pleasures are only imaginary,
and therefore to be got rid of or undervalued accordingly. There is nothing ...
—ON THE REALITIES OF IMAGINATION." THERE is not a more unthinking way
of talking, than to say such and such pains and pleasures are only imaginary,
and therefore to be got rid of or undervalued accordingly. There is nothing ...
Seite 63
Take care of this ground; and the doleful imaginations that come to warn us
against its abuse, will avoid it. Take care of this ground, ... Knowledge, sympathy,
imagination, are all divining-rods, with which he discovers treasure. Let a painter
go ...
Take care of this ground; and the doleful imaginations that come to warn us
against its abuse, will avoid it. Take care of this ground, ... Knowledge, sympathy,
imagination, are all divining-rods, with which he discovers treasure. Let a painter
go ...
Seite 68
These fictions of the poets, therefore, besides the mere excitement which they
give the imagination, assist remotely to ... the stories of angels and Centaurs
would help his imaginative good-nature to a more willing conception of creatures
in ...
These fictions of the poets, therefore, besides the mere excitement which they
give the imagination, assist remotely to ... the stories of angels and Centaurs
would help his imaginative good-nature to a more willing conception of creatures
in ...
Seite 74
We must content ourselves with having felt it here, and drinking it in imagination.
To act upon it, as a proposal of the day before yesterday, might be too much like
getting up an externpore gesture, or practising an unspeakable satisfaction.
We must content ourselves with having felt it here, and drinking it in imagination.
To act upon it, as a proposal of the day before yesterday, might be too much like
getting up an externpore gesture, or practising an unspeakable satisfaction.
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admiration affection appears beauty become believe better body called comes common death delight door eyes face fancy fear feel flowers give grace green hand happy head hear heart heaven hope human idea imagination Italy keep kind lady least leave less light lived look lovers manner matter means mind nature never night object observed once ourselves pain passed perhaps person play pleasant pleasure poet poor present reader reason respect rest rich round seems sense side sometimes sort speak spirit story street suppose sure sweet taste tell thing thou thought tion took trees true turn voice walk whole window wish write young
Beliebte Passagen
Seite 27 - The reason is, your spirits are attentive ; For do but note a wild and wanton herd, Or race of youthful and unhandled colts, Fetching mad bounds, bellowing, and neighing loud, Which is the hot condition of their blood; If they but hear perchance a trumpet sound, Or any air of music touch their ears, You shall perceive them make a mutual stand, Their savage eyes turned to a modest gaze, By the sweet power of music.
Seite 36 - I would build that dome in air, That sunny dome! those caves of ice! And all who heard should see them there, And all should cry, Beware!
Seite 13 - I behold like a Spanish great galleon, and an English man-of-war; Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Seite 15 - She clos'd the door, she panted, all akin To spirits of the air, and visions wide: No uttered syllable, or, woe betide! But to her heart, her heart was voluble, Paining with eloquence her balmy side; As though a tongueless nightingale should swell Her throat in vain, and die, heart-stifled, in her dell.
Seite 28 - With broad and burning face. Alas! (thought I, and my heart beat loud) How fast she nears and nears! Are those her sails that glance in the Sun, Like restless gossameres?
Seite 18 - But his sagacious eye an inmate owns: By one, and one, the bolts full easy slide: — The chains lie silent on the footworn stones; The key turns, and the door upon its hinges groans. XLII And they are gone: ay, ages long ago 370 These lovers fled away into the storm.
Seite 75 - She found me roots of relish sweet, And honey wild, and manna dew, And sure in language strange she said 'I love thee true!
Seite 36 - To be beloved is all I need, And whom I love, I love indeed.
Seite 13 - Many were the wit-combats betwixt him and Ben Jonson, which two I behold like a Spanish great galleon, and an English man-of-war ; Master Jonson (like the former) was built far higher in learning ; solid, but slow in his performances. Shakespeare...
Seite 44 - Care-charming Sleep, thou easer of all woes, Brother to Death, sweetly thyself dispose On this afflicted prince. Fall like a cloud In gentle showers: give nothing that is loud Or painful to his slumbers: easy, sweet, And as a purling stream, thou son of Night, Pass by his troubled senses; sing his pain Like hollow murmuring wind, or silver rain: Into this prince, gently, oh gently slide, And kiss him into slumbers, like a bride.
Bibliografische Informationen
| Titel | Essays |
| Autor/in | Leigh Hunt |
| Verlag | Edward Moxon, 1841 |
| Original von | Harvard University |
| Digitalisiert | 3. März 2006 |
| Länge | 79 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |