The Comedies, Histories, Tragedies, and Poems of William Shakspere: Histories, vol. 1. King John. King Richard II. King Henry IV, Part I-II. King Henry VC. Knight, 1851 |
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... scene of this play is , in the first act , at Verona , and afterwards chiefly at Milan . The action is not founded upon any histori- cal event . The one historical fact men- tioned in this play is that of the emperor holding his court ...
... scene of this play is , in the first act , at Verona , and afterwards chiefly at Milan . The action is not founded upon any histori- cal event . The one historical fact men- tioned in this play is that of the emperor holding his court ...
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... SCENE II . - Verona . A Room in Julia's House . Enter PROTEUS and JULIA . PRO . Have patience , gentle Julia . JUL . I must , where is no remedy . PRO . When possibly I can , I will return . JUL . If you turn not , you will return the ...
... SCENE II . - Verona . A Room in Julia's House . Enter PROTEUS and JULIA . PRO . Have patience , gentle Julia . JUL . I must , where is no remedy . PRO . When possibly I can , I will return . JUL . If you turn not , you will return the ...
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William Shakespeare Charles Knight. SCENE VI . - The same . A Room in the Palace . Enter PROTEUS . PRO . To leave my Julia , shall I be forsworn ; To love fair Silvia , shall I be forsworn ; To ... SCENE VI . ] 29 TWO GENTLEMEN OF VERONA .
William Shakespeare Charles Knight. SCENE VI . - The same . A Room in the Palace . Enter PROTEUS . PRO . To leave my Julia , shall I be forsworn ; To love fair Silvia , shall I be forsworn ; To ... SCENE VI . ] 29 TWO GENTLEMEN OF VERONA .
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... SCENE II . - The same . A Room in the Duke's Palace . Enter DUKE and THURIO ; PROTEUS behind . DUKE . Sir Thurio , fear not but that she will love you , Now Valentine is banish'd from her sight . THU . Since his exile she hath despis'd ...
... SCENE II . - The same . A Room in the Duke's Palace . Enter DUKE and THURIO ; PROTEUS behind . DUKE . Sir Thurio , fear not but that she will love you , Now Valentine is banish'd from her sight . THU . Since his exile she hath despis'd ...
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... SCENE II . - Milan . Court of the Palace . Enter PROTEUS . PRO . Already have I been false to Valentine , And now I must be as unjust to Thurio . Under the colour of commending him , I have access my own love to prefer ; But Silvia is ...
... SCENE II . - Milan . Court of the Palace . Enter PROTEUS . PRO . Already have I been false to Valentine , And now I must be as unjust to Thurio . Under the colour of commending him , I have access my own love to prefer ; But Silvia is ...
Häufige Begriffe und Wortgruppen
Antipholus Antonio Appears BASS Bassanio Bianca BIRON BOYET Costard daughter Demetrius dost doth Dromio ducats DUKE Enter Ephesus Exeunt Exit eyes fair father folio fool gentle gentleman give grace Grumio hath hear heart heaven Helena Hermia honour Hortensio Kate KATH KATHARINA KING lady LAUN letter look lord Love's Labour's Lost Lucentio Lysander madam maid marry master mean Merchant of Venice mistress MOTH never night oath original Padua passage Petrucio play Pompey Portia pray Proteus PUCK Pyramus quartos reading ring Rousillon SCENE second folio servant Shakspere Shakspere's Shylock signior Silvia sirrah speak SPEED Steevens sweet tell thee Theseus thine thou art thou hast Thurio Titania Tranio unto Valentine Venice wife word
Beliebte Passagen
Seite 532 - If a Jew wrong a Christian, what is his humility ? revenge ; If a Christian wrong a Jew, what should his sufferance be by Christian example? why, revenge. The villainy, you teach me, I will execute ; and it shall go hard, but I will better the instruction.
Seite 555 - It blesseth him that gives and him that takes. Tis mightiest in the mightiest; it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
Seite 220 - Tu-who, a merry note, While greasy Joan doth keel the pot. When all aloud the wind doth blow And coughing drowns the parson's saw And birds sit brooding in the snow And Marian's nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the staring owl, Tu-whit; Tu-who...
Seite 162 - Biron they call him ; but a merrier man, Within the limit of becoming mirth, I never spent an hour's talk withal : His eye begets occasion for his wit ; For every object that the one doth catch, The other turns to a mirth-moving jest; Which his fair tongue (conceit's expositor), Delivers in such apt and gracious words, That aged ears play truant at his tales, And younger hearings are quite ravished ; So sweet and voluble is his discourse.
Seite 471 - Lovers, and madmen, have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends. The lunatic, the lover, and the poet, Are of imagination all compact. One sees more devils than vast hell can hold ; That is, the madman : the lover, all as frantic, Sees Helen's beauty in a brow of Egypt...
Seite 149 - Save base authority from others' books. These earthly godfathers of heaven's lights, That give a name to every fixed star, Have no more profit of their shining nights Than those that walk and wot not what they are.
Seite 191 - From women's eyes this doctrine I derive : They sparkle still the right Promethean fire; They are the books, the arts, the academes, That show, contain, and nourish all the world, Else none at all in aught proves excellent.
Seite 510 - And all for use of that which is mine own. Well then, it now appears you need my help : Go to, then; you come to me, and you say 'Shylock, we would have moneys:' you say so; You, that did void your rheum upon my beard And foot me as you spurn a stranger cur Over your threshold : moneys is your suit. What should I say to you ? Should I not say 'Hath a dog money? is it possible A cur can lend three thousand ducats?