Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 40
... person spiritually possessed . This type appears in the Vita Merlini ( probably com- posed by Geoffrey of Monmouth ... person singular to the first person plural : one moment the man is talking , the next moment it is the demons who are ...
... person spiritually possessed . This type appears in the Vita Merlini ( probably com- posed by Geoffrey of Monmouth ... person singular to the first person plural : one moment the man is talking , the next moment it is the demons who are ...
Seite 98
... person , contains the same feeling of pain , loss of interest in the outside world — in so far as it does not recall the dead one - loss of capacity to adopt any new object of love , which would mean a replacing of the one mourned , the ...
... person , contains the same feeling of pain , loss of interest in the outside world — in so far as it does not recall the dead one - loss of capacity to adopt any new object of love , which would mean a replacing of the one mourned , the ...
Seite 310
... person , whether Othello , Roderigo , Bianca or , as we shall attempt to show , Iago himself , is revealed as one who , from the moment that jealousy strikes , divorces himself or herself from rationality . Jealousy , once awakened ...
... person , whether Othello , Roderigo , Bianca or , as we shall attempt to show , Iago himself , is revealed as one who , from the moment that jealousy strikes , divorces himself or herself from rationality . Jealousy , once awakened ...
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A. C. Bradley action anger appears audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's innocence jealous jealousy justice kill King King Lear Laertes language Lear Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York