Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1926 - 498 Seiten |
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Seite 2
... give place to the end , which is that same imaginative reading or re - creation of the drama from which they set out , but a reading now enriched by the products of analysis , and therefore far more adequate and enjoyable . This , at ...
... give place to the end , which is that same imaginative reading or re - creation of the drama from which they set out , but a reading now enriched by the products of analysis , and therefore far more adequate and enjoyable . This , at ...
Seite 14
... gives a confirmation and a distinct form to inward movements already present and exerting an influence ; to the sense of failure in Brutus , to the stifled workings of conscience in Richard , to the half - formed thought or the ...
... gives a confirmation and a distinct form to inward movements already present and exerting an influence ; to the sense of failure in Brutus , to the stifled workings of conscience in Richard , to the half - formed thought or the ...
Seite 17
... give only two or three illustrations . Edgar is clearly not on the same side as Edmund , and yet it seems awkward to range him on Gloster's side when Gloster wishes to put him to death . Ophelia is in love with Hamlet , but how can she ...
... give only two or three illustrations . Edgar is clearly not on the same side as Edmund , and yet it seems awkward to range him on Gloster's side when Gloster wishes to put him to death . Ophelia is in love with Hamlet , but how can she ...
Seite 21
... give . He errs , by action or omission ; and his error , joining with other causes , brings on him ruin . This is always so with Shakespeare . As we have seen , the idea of the tragic hero as a being destroyed simply and solely by ...
... give . He errs , by action or omission ; and his error , joining with other causes , brings on him ruin . This is always so with Shakespeare . As we have seen , the idea of the tragic hero as a being destroyed simply and solely by ...
Seite 22
... gives to Richard therefore a power which excites astonish- ment , and a courage which extorts admiration . gives to Macbeth a similar , though less extraordinary , greatness , and adds to it a conscience so terrifying in its warnings ...
... gives to Richard therefore a power which excites astonish- ment , and a courage which extorts admiration . gives to Macbeth a similar , though less extraordinary , greatness , and adds to it a conscience so terrifying in its warnings ...
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words