Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1926 - 498 Seiten |
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Seite 6
... look at things in one light ; but Hamlet and Henry IV . and Cymbeline reflect things from quite distinct positions , and Shakespeare's whole dramatic view is not to be identified with any one of these reflections . And , in the second ...
... look at things in one light ; but Hamlet and Henry IV . and Cymbeline reflect things from quite distinct positions , and Shakespeare's whole dramatic view is not to be identified with any one of these reflections . And , in the second ...
Seite 15
... look like accidents have really a connection with character , and are therefore not in the full sense accidents . Finally , I believe it 1Even a deed would , I think , be counted an ' accident , ' if it were the deed of a very minor ...
... look like accidents have really a connection with character , and are therefore not in the full sense accidents . Finally , I believe it 1Even a deed would , I think , be counted an ' accident , ' if it were the deed of a very minor ...
Seite 45
... as he leaves the council- chamber , to Othello , with the warning , Look to her , Moor , if thou hast eyes to see ; She has deceived her father , and may thee , 7 this warning , and no less Othello's answer , ' LECT . II 45 CONSTRUCTION.
... as he leaves the council- chamber , to Othello , with the warning , Look to her , Moor , if thou hast eyes to see ; She has deceived her father , and may thee , 7 this warning , and no less Othello's answer , ' LECT . II 45 CONSTRUCTION.
Seite 47
... look at the construction of a tragedy in two quite different ways , and that it is material to find the best of the two ; and that thus , in any given instance , it is necessary first to define the opposing sides in the conflict . I ...
... look at the construction of a tragedy in two quite different ways , and that it is material to find the best of the two ; and that thus , in any given instance , it is necessary first to define the opposing sides in the conflict . I ...
Seite 53
... look at the matter , from the point of view of construction , is to regard Goneril , Regan and Edmund as the leading characters . It is they who , in the conflict , initiate faction . action . Their fortune mounts to the crisis LECT ...
... look at the matter , from the point of view of construction , is to regard Goneril , Regan and Edmund as the leading characters . It is they who , in the conflict , initiate faction . action . Their fortune mounts to the crisis LECT ...
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words