Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1926 - 498 Seiten |
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Seite 26
... moral order ' : for in that case the spectacle of suffering and waste could not seem to us so fearful and mysterious as it does . And from the second it follows that this ultimate power is not adequately described as a fate , whether ...
... moral order ' : for in that case the spectacle of suffering and waste could not seem to us so fearful and mysterious as it does . And from the second it follows that this ultimate power is not adequately described as a fate , whether ...
Seite 31
... moral order and its necessity as a moral necessity . 5 Let us turn , then , to this idea . It brings into the light those aspects of the tragic fact which the idea of fate throws into the shade . And the argument which leads to it in ...
... moral order and its necessity as a moral necessity . 5 Let us turn , then , to this idea . It brings into the light those aspects of the tragic fact which the idea of fate throws into the shade . And the argument which leads to it in ...
Seite 32
... moral sense . It is , moreover , to obscure the tragic fact that the consequences of action cannot be limited to that which would appear to us to follow ' justly ' from them . And , this being so , when we call the order of the tragic ...
... moral sense . It is , moreover , to obscure the tragic fact that the consequences of action cannot be limited to that which would appear to us to follow ' justly ' from them . And , this being so , when we call the order of the tragic ...
Seite 33
... moral notions . But tragedy does not belong , any more than religion belongs , to the sphere of these notions ... moral order . Let us put aside the ideas of justice and merit , and speak simply of good and evil . Let us understand by ...
... moral notions . But tragedy does not belong , any more than religion belongs , to the sphere of these notions ... moral order . Let us put aside the ideas of justice and merit , and speak simply of good and evil . Let us understand by ...
Seite 34
... moral evil . The love of Romeo and Juliet conducts them to death only because of the senseless hatred of their houses . Guilty ambition , seconded by diabolic malice and issuing in murder , opens the action in Macbeth . Iago is the main ...
... moral evil . The love of Romeo and Juliet conducts them to death only because of the senseless hatred of their houses . Guilty ambition , seconded by diabolic malice and issuing in murder , opens the action in Macbeth . Iago is the main ...
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words