Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1926 - 498 Seiten |
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Seite 57
... stage for a long time while the counter - action is rising ; Macbeth , Hamlet and Coriolanus during about 450 lines , Lear for nearly 500 , Romeo for about 550 ( it matters less here , because Juliet is quite as important as Romeo ) ...
... stage for a long time while the counter - action is rising ; Macbeth , Hamlet and Coriolanus during about 450 lines , Lear for nearly 500 , Romeo for about 550 ( it matters less here , because Juliet is quite as important as Romeo ) ...
Seite 65
... stage . The long first scene of the Second Act is largely occupied with mere conversations , artfully drawn out to dimensions which can scarcely be considered essential to the plot . These expedients are fully justified by their success ...
... stage . The long first scene of the Second Act is largely occupied with mere conversations , artfully drawn out to dimensions which can scarcely be considered essential to the plot . These expedients are fully justified by their success ...
Seite 70
... stage but were perfectly well - fitted for that very different stage , -a stage on which again some of the best - constructed plays of our time would appear absurdly faulty . Or take the charge of improbability . Shakespeare certainly ...
... stage but were perfectly well - fitted for that very different stage , -a stage on which again some of the best - constructed plays of our time would appear absurdly faulty . Or take the charge of improbability . Shakespeare certainly ...
Seite 73
... stage - dramas of the moment . ) The ( e ) To turn to another field , the early critics were no doubt often provokingly wrong when they cen- sured the language of particular passages in Shake- speare as obscure , inflated , tasteless ...
... stage - dramas of the moment . ) The ( e ) To turn to another field , the early critics were no doubt often provokingly wrong when they cen- sured the language of particular passages in Shake- speare as obscure , inflated , tasteless ...
Seite 78
... stage performance . We know well enough what Shakespeare is doing when at the end of Measure for Measure he marries Isabella to the Duke- and a scandalous proceeding it is ; but who can ever feel sure that the doubts which vex him as to ...
... stage performance . We know well enough what Shakespeare is doing when at the end of Measure for Measure he marries Isabella to the Duke- and a scandalous proceeding it is ; but who can ever feel sure that the doubts which vex him as to ...
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words