Shakespearean CriticismGale Research International, Limited, 1992 - 568 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 68
Seite 133
... Kemble was , " says Genest . Mrs. Siddons , as Volumnia , splendidly exhibited her surpassing emotional power and at the same time the astonishing freedom and boldness of her art and her intellectual control of it . A letter from the ...
... Kemble was , " says Genest . Mrs. Siddons , as Volumnia , splendidly exhibited her surpassing emotional power and at the same time the astonishing freedom and boldness of her art and her intellectual control of it . A letter from the ...
Seite 275
... Kemble's own entrance as Brutus ; because the last six actors had moved left on entering , Kemble was able to draw attention to himself by the simple device of walking alone across the full breadth of the stage to join the group of ...
... Kemble's own entrance as Brutus ; because the last six actors had moved left on entering , Kemble was able to draw attention to himself by the simple device of walking alone across the full breadth of the stage to join the group of ...
Seite 277
... Kemble's prompt books do not deserve the bitter comment which Genest , in his characteristically elliptical style , applied generally to such documents : That sink of iniquity - the Prompt - Book- ( for such it is with regard to ...
... Kemble's prompt books do not deserve the bitter comment which Genest , in his characteristically elliptical style , applied generally to such documents : That sink of iniquity - the Prompt - Book- ( for such it is with regard to ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's