Shakespearean CriticismGale Research International, Limited, 1992 - 568 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 44
Seite 337
... assassination began to build in the previous scene with Calpurnia , in which Welles developed the sense that the very people Caesar took to be his allies were the ones who were actually trying to kill him . There- after , every moment ...
... assassination began to build in the previous scene with Calpurnia , in which Welles developed the sense that the very people Caesar took to be his allies were the ones who were actually trying to kill him . There- after , every moment ...
Seite 413
... assassination scene , silent spectators of a ritualised , ballet - like killing of the titular hero . Kemble's text and style of production strongly influ- enced his successors in the following decades , even though they restored some ...
... assassination scene , silent spectators of a ritualised , ballet - like killing of the titular hero . Kemble's text and style of production strongly influ- enced his successors in the following decades , even though they restored some ...
Seite 428
... assassination , but his constancy remains after his death to plague the conspira- tors . Caesar's weaknesses , and there are many , balance but do not cancel out his symbolic strength . He is deaf in one ear , epileptic , and , at least ...
... assassination , but his constancy remains after his death to plague the conspira- tors . Caesar's weaknesses , and there are many , balance but do not cancel out his symbolic strength . He is deaf in one ear , epileptic , and , at least ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's