Shakespearean CriticismGale Research International, Limited, 1992 - 568 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 133
... effect , on the night of his final retirement from the stage , June 23 , 1817. John Taylor , who thoroughly knew his acting , declared it to be " a masterpiece . " " It is impossi- ble to conceive a finer figure for Roman character than ...
... effect , on the night of his final retirement from the stage , June 23 , 1817. John Taylor , who thoroughly knew his acting , declared it to be " a masterpiece . " " It is impossi- ble to conceive a finer figure for Roman character than ...
Seite 338
... effect the Nazis achieved . On the other hand , an earlier effect , spoken of as ' stunning and inventive ' , was , according to Miss Rosenthal , the re- sult of an accident . During a dress rehearsal someone for- got to turn out the ...
... effect the Nazis achieved . On the other hand , an earlier effect , spoken of as ' stunning and inventive ' , was , according to Miss Rosenthal , the re- sult of an accident . During a dress rehearsal someone for- got to turn out the ...
Seite 343
... effect now and again but , if generally adopted as a manner , the effect is as of singers taking all their cli- maxes in a rehearsal voice . Anthony Quayle as an energetic Mark Antony often did the same thing and his big scene is surely ...
... effect now and again but , if generally adopted as a manner , the effect is as of singers taking all their cli- maxes in a rehearsal voice . Anthony Quayle as an energetic Mark Antony often did the same thing and his big scene is surely ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's