The Critical IColumbia University Press, 1992 - 262 Seiten Asserting that literary theory needs a dose of common sense, this treatise attacks Saussurean linguistics as outmoded and discredited in its elimination of its subjects. It claims that postmodernist ideas of the individual rest on false linguistic and psychological premises. |
Inhalt
Kims Case Study | 3 |
The Challenges | 75 |
Psychoanalytic Critics | 92 |
in Trouble | 107 |
Saussure | 121 |
Chomsly | 151 |
Vanishing the l | 167 |
lser | 184 |
l_ooling Backward | 209 |
Notes | 233 |
257 | |
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active Agnes associations audience Barthes bi-active chapter nine Chomsky Chomsky’s claims codes and canons cognitive science concept context cruise control Culler culture deconstruction defined Derrida Engl experience fantasy feedback loops fiction field film finally find first fit fixed Foucault Freud’s grammar guage human hypotheses I-language idea identity governing individual interpretation interpretive community Iser Jonathan Culler kind Kuleshov Kuleshov experiment Lacan Lacanian linguistics literary critics literary theorists literature meaning metaphor Miller mind movie Norm Norm’s otherwise perception phonemes phrase poem postmodern psychoanalytic critics psychological question Raymond Tallis reader reader-response reader-response critics reading response rules Saussure Saussure’s Saussurean schemata sense sentence shared signifier signifier and signified signifier-signified signifying simply Sir Stephen sound-image speak Spencer stimulus-response stimulus-response model Story structure talk Ted’s text-active themes theory things Thirty days thought tion today’s unconscious words writing