Mama Dada: Gertrude Stein's Avant-Garde Theatre

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Taylor & Francis, 02.01.2004 - 224 Seiten
While addressing the impact of Stein as a major influence on the American avant-garde - in particular, her influence on the Living Theater, Richard Foreman, and Robert Wilson - Bay-Cheng also considers Stein's drama within a larger tradition of avant-garde performance by comparing her plays and dramatic theories to those generated by Dadaists, Surrealists, and Futurists."--Jacket.

Autoren-Profil (2004)

Sarah Bay-Cheng is Assistant Professor of English and Theater at Colgate University. She received her Ph.D. with distinction from the University of Michigan. She is in the process of relocating to SUNY, Buffalo. Her co-edited anthology with Bert Cardullo, The Fallen Staff: An Anthology of Falstaff Plays (2003) is forthcoming this year.

Bibliografische Informationen