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letter he seemed sure that I could no longer refuse him. And it was only with the deepest regret that I still had to deny him his piano.

'DODY'

ALTHOUGH I was only a youngster when my grandfather was with us, a few of the pictures and experiences that we enjoyed together stand out in my mind with distinctness above a misty haze of forgotten ones. I clearly recall a man in a gray fur overcoat who took my brother and me cutter-riding behind a brown-and-white spotted horse. I remember the hours just before bedtime when 'Dody' - our childish name for Grandfather - held us on his knees before a red, snapping fire and with his jackknife cut round and round apples without once breaking the curling redand-white peeling. I often think of the times when he picked us up from a fall, telling us to say 'Jehoshaphat' like a man instead of crying. I recall, too, how we searched through his bulging pockets for boxes of animal crackers. But with greatest pleasure I remember how Grandfather and Grandmother took Paul and me to the cottage to spend the long summer days. These bits of our associations with my grandfather still remain in my memory, much as the gold dust clings to one's fingers long after the butterfly has slipped through. The times I remember best are the days at the cottage probably because there we did the same things again and again until they were indelibly engraved on our minds. The cottage was a low square hut tucked under old oaks, walnuts, and elms, on a cliff above the cedar. It was built so close to the edge that it seemed to us only the heavy branches of the old trees that bent low against the roof or scraped the green-painted sides prevented the summer winds from shoving

it from its foundation of four stone blocks and tumbling it into the water below. The tall grass, too, grew closely about the cottage, so thick and rank that it almost concealed the white stone step in front. Grandma always de clared it 'looked a sight' when we unloaded our things, so we all helped to clean house. After the scrubbing was done and the tackle repaired, we left Grandma on the roofless but shady porch and climbed down the steep path to the river on our way fishing.

Most often we fished for 'croppies' on the point, a stony strip of land jutting out into the river. With Dody between us we sat on a wide flat rock in the shade of overhanging shoots of willow and white birch. When the line whirred far out into the water, we settled back quietly like good fishermen to await results. Everything about us was quiet and hushed excepting the steady lap of water against the rocks, the muffled gurgle of the spring on one side of us, and once a far-off train whistle, so faint that it emphasized its own remoteness. We watched the sun playing on the water, tracing gold lines on the crest of every soft, swirling eddy. The 'shiners' sparkled as they swished about in the minnow trap. Blue-andbronze dragon flies, their delicate wings aflutter, poised over the fish poles. Wasps trailing long legs toppled drunkenly above the water spiders, scudding and darting on the smooth surface of a quiet strip of backwater. Birds with pointed, stiff-beating wings dipped the water or made slow shadows across it as they sailed over. Longest we watched the red bobber as it danced and dipped far out in the current, finally disappearing, a signal for Grandpa to jerk his line and slowly wind his reel until a glistening silvery croppie flopped at our feet.

When Grandfather said the bass would be getting jealous if we didn't visit them, we took the dim narrow

trail along the bank of the river to the old bass hole. We followed through the clean-growing maples, the shadowy-patterned birches, and the dark pines, redly blanketed with needles, until we rounded the bend and came to the bass hole, black and quiet in the dusky twilight of the pines. After Grandpa had plunked the sinker into the deep black water, Paul and I ran off to the woods to play, leaving Dody leaning against the broad trunk of an old pine. We climbed to the crest of the hill, through the pines, over logs and boulders, and, as the trees thinned, through the hot sun until we came to a huge walnut tree on the top of the hill. In its shade we rested a few minutes, watching over the woods - the glistening cottonwoods, the black pines, and the pale birches. They always looked the same to us as they had the day before, and we told each other they were like Dody, for we always found him just as we had left him, a never-failing wonder to us then.

Soon we started down the hill, following a miniature brook that tumbled sleepily from tiny pool to pool down through a steep-sided cut in the hill. Tall pines bent over the gap, dimming the light to duskiness. Locust trees chafed their feathery leaves together in winds that faltered between motion and rest. Birds concealed in the shadowy branches lilted and caroled in hurried runs of melody while we jumped from one mossy rock to another. We slipped through the trees wondering if Dody had moved, but we always found him leaning quietly against the old pine trunk. Often we asked him what made him sit so still. Invariably he smiled slowly and told us, 'Perhaps it's the magic in this tree trunk; you try it and see.' So, because we wanted to be like Dody, we sat beside him and leaned close against the tree, but before we could test its magic

power the slow, penetrating quiet of the woods put us to sleep.

Many evenings after supper at the cottage we rowed up the river to set the trout lines. Before we pushed off the point, the sun had slipped behind the pines, leaving the western sky brilliantly washed in red, the hills and trees outlined with fire, and the whole scene glowingly mirrored in the water. We rowed by the sand bar where a long-legged heron stood on one foot in a shallow pool, through the pond where the water lilies grew, their pale petals flushed from the sunset and their big leaves swaying with a sudden motion, to Catfish Channel, where the fish flopped above the surface, rippling the flaming water. We strung the long line across the river. Grandpa baited the hooks with shining minnows (we called them 'minnies' then), which darted and flopped on the end of their line. Then we floated downstream in the slowly changing light. The brilliancy of the sky softened to limpid gold and faded away. The long pointed shadows of the pines leaned farther into the river, pushing the red and gold still lingering on the water deep into its black depths. The birds hushed their songs to twitters, except the thrushes, who began their antiphonal evening chants as the woods lapsed into darkness. The sound of our oars dipping and dripping rhythmically and the faint purling sound of the spring rose liquid in the evening quiet. When our boat struck the rocks on the point Grandmother spoke from the shadows where she awaited us. 'Is that you, John?' With her we sat on the rocks as the night mist fumed on the river and watched as the water brimmed with wavering, twinkling stars and the fireflies wheeled in the woods about us. Then Grandmother slapped at a mosquito and declared that it was bedtime.

Of the furnishings of the cottage I remember little, except that Dody had chosen them and that Grandmother termed them 'outlandish.' The poinsettia-covered sofa where we napped on rainy days, the two brightly painted green and red cupboards, and the brilliant yellow curtains strung on a wire to divide the room, Grandmother called 'heathenish' and often laughingly told Grandpa that he must have acquired his taste for color in the South during the War of Emancipation. Although Grandmother did not share Dody's fondness for the bizarre, it pleased Paul and me, as did the old freak chair that glided smoothly back and forth instead of rocking.

The dishes, too, were unusual. Paul and I drank our milk from two huge beer mugs, presents from one of Grandfather's patients. Dody often teased Grandmother about bringing up children to drink out of beer mugs. So, to prevent any future evil effects, she conscientiously warned us never to drink anything except milk from the mugs. At that, Grandfather usually looked up from his fish, his eyes twinkling, and asked, 'Why, Louisy, what's your objection to good water?' Then he chuckled, a signal for Paul and me to smile tolerantly. We had no idea why Grandpa's cup irritated Grandmother, too. It was an oldfashioned moustache cup, decorated with a skull and crossbones. She sniffed every time she set it beside his plate, declaring her intention to throw the horrible thing in the river some day. Each year Grandmother threatened to replace the sinister dishes and refurnish the cottage; yet, as Grandfather's chuckle indicated, we drank from our beer mugs and napped on a poinsettiacovered sofa as long as we passed the summers there.

All this happened long ago, as I was reminded last summer when I visited the cottage again. The rains and snows had erased all signs of green paint and had washed the earth away from a foundation block, causing one corner of the cottage to warp and dip. The old stone step had crumbled and cracked, and weeds were growing through the crevices. The platform-like porch had rotted until one board had broken through and the corners had decayed. I peered through a broken window, but turned away when I saw that the cupboard doors had been broken off and the shelves emptied, that the mice had scissored the poinsettia-covered sofa and scattered the excelsior over the floor.

I climbed down the old path, almost indistinct now, to the point to watch the sunset, but the river had changed its course and now raced over the point, even lapping the old stone where Grandfather, Paul, and I had squatted while we fished for croppies. As I watched, the water caught the brilliancy of the western sky and rippled in spreading waves where fish flopped above the surface. In the gold light I leaned over the old rock and read my Grandfather's name carved on the stone:

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JALNA: A NOVEL

BY MAZO DE LA ROCHE

[WHEN Captain Philip Whiteoak and Adeline Court were married in India in 1848, they were the most brilliant couple in their military station. But the inheritance of property in Canada prompted Philip to sell his commission and bring his wife and infant daughter Augusta to Ontario. A great stone manor house was built and a thousand acres of wilderness transformed into the semblance of an English park. 'Jalna' the estate is called, after the military station where the couple first met.

The story is of the present time. Adeline, her husband long since dead, is an indomitable old woman, eagerly on the verge of completing a full century of life. She has two surviving sons, themselves old men: Nicholas, whose wife left him for a young army officer, and Ernest, a bachelor. A third son, Philip, is dead. His two marriages embarrassed the declining estate with six children. From the first marriage came Meg, the only girl, and Renny, now master of the cohesive little Whiteoak clan. From the second came Eden and Piers, now in the twenties, Finch, sixteen, and Wakefield, nine.

As the story opens, Eden has fractured Whiteoak tradition by writing a volume of poems which has been accepted by a New York publisher. The event is the theme of animated family discussion in picturesque scenes at the dinner table and in the rooms of Nicholas and Ernest. Renny is disgusted with Eden for giving up his legal study for poetry; he threatens Eden that by autumn he must make up his mind to enter business or help with the estate. Piers, whose taste is for farming, baits the poet with sarcasm, but brings down upon his own head the warning that there must be no 'nonsense' with Pheasant, a girl whose existence has been a cause of distress to the Whiteoaks. The story proceeds from this point.]

It was almost dark when Piers crossed the lawn, passed through a low wicket gate in the hedge, and pressed eagerly along a winding path that led across a paddock where three horses were still cropping the new grass. The path wandered then down into the ravine; became, for three strides, a little rustic bridge; became a path again still narrower - that wound up the opposite steep, curved through a noble wood, and at last, by a stile, was wedded to another path that had been shaped for no other purpose but to meet it on the boundary between Jalna and the land belonging to the Vaughans.

Down in the ravine it was almost night, so darkly the stream glimmered amid the thick undergrowth and so close above him hung the sky, not yet pricked by a star. As he climbed up the steep beyond, it was darker still, except for the luminous shine of the silver birches that seemed to be lighted by some secret beam within. A

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whippoorwill darted among the trees catching insects, uttering, each time it struck, a little throaty cluck, and showing a gleam of white on its wings. Then suddenly, right over his head, another whippoorwill burst into its loud, lilting song.

When he reached the open wood above he could see that there was still a deep red glow in the west, and the young leaves of the oaks had taken a burnished look. The trees were lively with the twittering of birds seeking their rest, their love-making over for the day - his just to begin.

His head was hot and he took off his cap to let the cool air fan it. He wished that his love for Pheasant were a calmer love. He should have liked to stroll out with her in the evenings, just pleasantly elated, taking it as a natural thing as natural as the life of these birds - to love a girl and be loved by her. But it had come upon him suddenly, after knowing her all his life, like a storm that shook and possessed him. As

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taken them both that day when, meeting down in the ravine, she had been startled by a water snake and had caught his sleeve and pointed down into the stream where it had disappeared? Bending over the water, they had suddenly seen their two faces reflected in a still pool, looking up at them not at all like the faces of Piers and Pheasant who had known each other all their days. The faces reflected had had strange, timid eyes and parted lips. They had turned to look at each other. Their own lips had met.

Remembering that kiss, he began to run across the open field toward the stile.

She was sitting on it, waiting for him, her drooping figure silhouetted against the blur of red in the west. He slackened his pace as soon as he saw her, and greeted her laconically as he came up.

'Hullo, Pheasant!'

'Hullo, Piers! I've been waiting quite a while.'

'I could n't get away. I had to stop and admire a beastly cow Renny bought at Hobbs's sale to-day.'

He climbed to the stile and sat down beside her. 'It's the first warm evening, is n't it?' he observed, not looking at her. 'I got as hot as blazes coming over. I was n't letting the grass grow under my feet, I can tell you.' He took her hand and drew it against his side. 'Feel that.'

'Your heart is beating rather hard,' she said, in a low voice. 'Is it because you hurried or because - 'She leaned against his shoulder and looked into his face.

It was what Piers had been waiting for, this moment when she should lean toward him. Not without a sign from her would he let the fountain of his love leap forth. Now he put his arms about her and pressed her to him. He found her lips and held

them with his own. The warm fragrance of her body made him dizzy. He was no longer strong and practical. He wished in that moment that they two might die thus happily clasped in each other's arms in the tranquil spring night.

'I can't go on like this,' he murmured. 'We simply must get married.'

'Remember what Renny has said. Are you going to defy him? He'd be in a rage if he knew we were together here now.'

'Renny be damned! He's got to be taught a lesson. It's time he was taught that he can't lord it over everyone. He's spoiled, that's the trouble with him. I call him the Rajah of Jalna.'

'After all, you have the right to say who you will marry, even if the girl is beneath you, have n't you?'

He felt a sob beneath her breast; her sudden tears wet his cheek.

'Oh, Pheasant, you little fool,' he exclaimed. 'You beneath me! What rot!' 'Well, Renny thinks so. All your family think so. Your family despise me.'

'My family may go to the devil. Why, after all, you're a Vaughan. Everybody knows that. You're called by the name.' 'Even Maurice looks down on me. He's never let me call him Father.'

'He deserves to be shot. If I had ever done what he did, I'd stand by the child. I'd brave the whole thing out!'

'Well, he has, in a way. He's kept me. Given me his name.'

'His parents did that. He's never liked you or been really kind to you.'

'He thinks I've spoiled his life.'

'With Meggie, you mean. Picture Meg and Maurice married!' He laughed and kissed her temple, and, feeling her silky brow touch his cheek, he kissed that, too.

She said: 'I can picture that more easily than I can our own marriage. I feel as though we should go on and on, meeting and parting like this forever. In a way, I think I'd like it better, too.'

'Better than being married to me? Look here, Pheasant, you're just trying to hurt me!'

'No, really. It's so beautiful, meeting like this. All day I'm in a kind of dream, waiting for it; then after it comes the night, and you're in the very heart of me all night.'

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