Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - 251 Seiten |
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Seite 11
... Richard II . , the three parts of Henry VI . , Troilus and Cressida , and Titus Andronicus . Of these , one alone , Richard II . , is really actable . The leading principles , to which Phelps strictly adhered throughout his career of ...
... Richard II . , the three parts of Henry VI . , Troilus and Cressida , and Titus Andronicus . Of these , one alone , Richard II . , is really actable . The leading principles , to which Phelps strictly adhered throughout his career of ...
Seite 13
... Richard II . , in which Mr Granville Barker played the King with great charm and judgment , showed the fascination that a competent rendering of Shakespeare's text exerts , even in the total absence of scenery , over a large audience of ...
... Richard II . , in which Mr Granville Barker played the King with great charm and judgment , showed the fascination that a competent rendering of Shakespeare's text exerts , even in the total absence of scenery , over a large audience of ...
Seite 114
... Richard II . , Richard III . , Romeo and Juliet , The Taming of the Shrew , The Tempest , SHAKESPEARE'S MINOR ROLES 115 is that Mr Benson and his 114 MR BENSON AND SHAKESPEAREAN DRAMA.
... Richard II . , Richard III . , Romeo and Juliet , The Taming of the Shrew , The Tempest , SHAKESPEARE'S MINOR ROLES 115 is that Mr Benson and his 114 MR BENSON AND SHAKESPEAREAN DRAMA.
Seite 115
... Richard II . and Grumio in The Taming of the Shrew . Nothing could be more grateful to a student of Shakespeare than the manner in which the small part of John of Gaunt was played by Mr Warburton in Mr Benson's production of Richard II ...
... Richard II . and Grumio in The Taming of the Shrew . Nothing could be more grateful to a student of Shakespeare than the manner in which the small part of John of Gaunt was played by Mr Warburton in Mr Benson's production of Richard II ...
Seite 158
... Richard II . soliloquize on the vain pride which imbues the king , while death all the time grins at his pomp and keeps his own court within the hollow crown that rounds the prince's mortal temples . Yet again , to identical effect is ...
... Richard II . soliloquize on the vain pride which imbues the king , while death all the time grins at his pomp and keeps his own court within the hollow crown that rounds the prince's mortal temples . Yet again , to identical effect is ...
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acting actor actor-manager actors and actresses artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography Cæsar career character Charles Charles Kean comedy commemorative contemporary criticism Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Elizabethan endeavour England English experience France French genius gossip Hamlet Henry histrionic honour human imagination Jonson Julius Cæsar King less lips literary drama literature London London County Council Lowin Macbeth manager memorial ment methods monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoer playhouse plays of Shakespeare poet poetic present produced realise rendered Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama Sir Henry Irving speare speare's spearean spectacular speech Stratford Stratford-on-Avon Tempest theatrical enterprise thou tion tragedy Twelfth Night virtue William Beeston William D'Avenant writing wrote