Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - 251 Seiten |
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Seite xiii
... Characters . John of Gaunt III . The Benefit of Performing the Play of Hamlet with- out Abbreviation · IV . Mr Benson as a Trainer of Actors . The Succession to Phelps PAGE 111 113 116 119 VI THE MUNICIPAL THEATRE I. The True Aim of the ...
... Characters . John of Gaunt III . The Benefit of Performing the Play of Hamlet with- out Abbreviation · IV . Mr Benson as a Trainer of Actors . The Succession to Phelps PAGE 111 113 116 119 VI THE MUNICIPAL THEATRE I. The True Aim of the ...
Seite 13
... character , ability , and energy of the actors and actresses . If scenery in Shakespearean productions be relegated to its proper place in the background of the stage , it is necessary that the acting , from top to bottom of the cast ...
... character , ability , and energy of the actors and actresses . If scenery in Shakespearean productions be relegated to its proper place in the background of the stage , it is necessary that the acting , from top to bottom of the cast ...
Seite 17
... character of whom I have the most distinct recollection was Enobarbus , the level - headed and straight - hitting critic of the action -a comparatively subordinate part , which was filled by one of the most distinguished actors of the ...
... character of whom I have the most distinct recollection was Enobarbus , the level - headed and straight - hitting critic of the action -a comparatively subordinate part , which was filled by one of the most distinguished actors of the ...
Seite 19
... characters like Lady Macbeth and Desdemona were adequately rendered by youths beggars belief . But renderings in such conditions proved popular and satisfactory . Such a fact seems convincing testimony , not to the ability of ...
... characters like Lady Macbeth and Desdemona were adequately rendered by youths beggars belief . But renderings in such conditions proved popular and satisfactory . Such a fact seems convincing testimony , not to the ability of ...
Seite 33
... and professionally . Al- most all Shakespeare's great tragic characters were created on the stage by Burbage , who had lately roused London to enthusiasm by his stirring presen- tation of Shakespeare's Richard III . for the first time.
... and professionally . Al- most all Shakespeare's great tragic characters were created on the stage by Burbage , who had lately roused London to enthusiasm by his stirring presen- tation of Shakespeare's Richard III . for the first time.
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acting actor actor-manager actors and actresses artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography Cæsar career character Charles Charles Kean comedy commemorative contemporary criticism Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Elizabethan endeavour England English experience France French genius gossip Hamlet Henry histrionic honour human imagination Jonson Julius Cæsar King less lips literary drama literature London London County Council Lowin Macbeth manager memorial ment methods monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoer playhouse plays of Shakespeare poet poetic present produced realise rendered Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama Sir Henry Irving speare speare's spearean spectacular speech Stratford Stratford-on-Avon Tempest theatrical enterprise thou tion tragedy Twelfth Night virtue William Beeston William D'Avenant writing wrote