Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - 251 Seiten |
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Seite 26
... lips . Gushing laudation is as little to the taste of wise men as treacle . They cannot escape condiments of the kind , but the smaller and less frequent the doses the more they are content . Shake- speare no doubt had the great man's ...
... lips . Gushing laudation is as little to the taste of wise men as treacle . They cannot escape condiments of the kind , but the smaller and less frequent the doses the more they are content . Shake- speare no doubt had the great man's ...
Seite 28
... lips for the first time , we might almost imagine that in the words ' pity me not , but lend thy serious hearing to what I shall unfold , " he was reflecting the author's per- sonal interest in the proceedings of that memorable ...
... lips for the first time , we might almost imagine that in the words ' pity me not , but lend thy serious hearing to what I shall unfold , " he was reflecting the author's per- sonal interest in the proceedings of that memorable ...
Seite 56
... lips . The talk of surviving kinsmen , fellow - craftsmen , admiring acquaintances , and sympathetic friends is the treasure - house which best preserves the per- sonality of the dead hero for those who come soon after him . When ...
... lips . The talk of surviving kinsmen , fellow - craftsmen , admiring acquaintances , and sympathetic friends is the treasure - house which best preserves the per- sonality of the dead hero for those who come soon after him . When ...
Seite 60
... lips of contemporaries was that Shakespeare " was indeed honest and [ like his own Othello ] of an open and free nature , 1 had an excellent phantasy , brave no- tions and gentle expressions , wherein he flowed with that facility that ...
... lips of contemporaries was that Shakespeare " was indeed honest and [ like his own Othello ] of an open and free nature , 1 had an excellent phantasy , brave no- tions and gentle expressions , wherein he flowed with that facility that ...
Seite 63
... lips for the playing of the part of Hamlet , while Lowin narrated how Shakespeare taught him the theatrical interpreta- tion of the character of Henry the Eighth , in that play of the name which came from the joint pens of Shakespeare ...
... lips for the playing of the part of Hamlet , while Lowin narrated how Shakespeare taught him the theatrical interpreta- tion of the character of Henry the Eighth , in that play of the name which came from the joint pens of Shakespeare ...
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Häufige Begriffe und Wortgruppen
acting actor actor-manager actors and actresses artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography Cæsar career character Charles Charles Kean comedy commemorative contemporary criticism Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Elizabethan endeavour England English experience France French genius gossip Hamlet Henry histrionic honour human imagination Jonson Julius Cæsar King less lips literary drama literature London London County Council Lowin Macbeth manager memorial ment methods monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoer playhouse plays of Shakespeare poet poetic present produced realise rendered Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama Sir Henry Irving speare speare's spearean spectacular speech Stratford Stratford-on-Avon Tempest theatrical enterprise thou tion tragedy Twelfth Night virtue William Beeston William D'Avenant writing wrote