Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - 251 Seiten |
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Seite xiii
... Denunciation of Royal " Ceremony 142 • · • 148 · 152 IV . The Duty of Obedience to Authority · 161 V. The Moral Atmosphere of Shakespearean Drama · 164 ASPECTS OF SHAKESPEARE'S PHILOSOPHY - Continued VI . Shakespeare's Insistence.
... Denunciation of Royal " Ceremony 142 • · • 148 · 152 IV . The Duty of Obedience to Authority · 161 V. The Moral Atmosphere of Shakespearean Drama · 164 ASPECTS OF SHAKESPEARE'S PHILOSOPHY - Continued VI . Shakespeare's Insistence.
Seite 48
... moral to be deduced from any examination of the Elizabethan playgoer's attitude to Shakespeare's plays ? It is something of this kind . We must emulate our ancestors ' command of the imagination . We must seek to enlarge our imaginative ...
... moral to be deduced from any examination of the Elizabethan playgoer's attitude to Shakespeare's plays ? It is something of this kind . We must emulate our ancestors ' command of the imagination . We must seek to enlarge our imaginative ...
Seite 118
... moral lapses of his son Laertes in Paris . The recovered episode is not only admirable comedy , but it gives new vividness to Polonius's maudlin egotism which is responsible for many windings of the tragic plot . The story is simplified ...
... moral lapses of his son Laertes in Paris . The recovered episode is not only admirable comedy , but it gives new vividness to Polonius's maudlin egotism which is responsible for many windings of the tragic plot . The story is simplified ...
Seite 123
... moral , intellectual , and spiritual advantage . II The first question to consider is whether in Eng- land the existing theatrical agencies promote for the general good the genuine interests of dramatic art . Do existing theatrical ...
... moral , intellectual , and spiritual advantage . II The first question to consider is whether in Eng- land the existing theatrical agencies promote for the general good the genuine interests of dramatic art . Do existing theatrical ...
Seite 135
... moral rather than of a material kind which is pledged to the cause of dramatic art . In a third class of municipal theatre the public body confines its material aid to the gratuitous provi- sion of a site . Upon that site private ...
... moral rather than of a material kind which is pledged to the cause of dramatic art . In a third class of municipal theatre the public body confines its material aid to the gratuitous provi- sion of a site . Upon that site private ...
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acting actor actor-manager actor-manager system actors and actresses artistic audience Ben Jonson Benson's Betterton biography career character Charles comedy contemporary critical Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Dryden Elizabethan Elizabethan playgoer endeavour England English experience French genius gossip Hamlet Henry histrionic honour imagination interests of dramatic Jonson Julius Cæsar King less literary drama literature London London County Council Lowin Macbeth manager memory ment methods Midsummer Night's Dream modern monument moral municipal theatre nation never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoing playhouse plays of Shakespeare poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedy Twelfth Night William Beeston William D'Avenant writing wrote