Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - 251 Seiten |
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Seite viii
... history are welcome to play- goers of literary tastes ; but I have attempted no survey of them , because signs are ... Oral Tradition , " " Shakespeare in France , " and " The Commemora- tion of Shakespeare in London . " To Messrs ...
... history are welcome to play- goers of literary tastes ; but I have attempted no survey of them , because signs are ... Oral Tradition , " " Shakespeare in France , " and " The Commemora- tion of Shakespeare in London . " To Messrs ...
Seite xii
... ORAL TRADITION PAGE 31 36 38 43 · 46 49 51 • I. The Reception of the News of Shakespeare's Death II . The Evolution in England of Formal Biography III . Oral Tradition concerning Shakespeare in Theatri- cal Circles 637 57 IV . The ...
... ORAL TRADITION PAGE 31 36 38 43 · 46 49 51 • I. The Reception of the News of Shakespeare's Death II . The Evolution in England of Formal Biography III . Oral Tradition concerning Shakespeare in Theatri- cal Circles 637 57 IV . The ...
Seite 48
... , and again and again , and then if you do not like him , surely you are in some manifest danger " of losing a saving grace of life . III SHAKESPEARE IN ORAL TRADITION 1 I BIOGRAPHERS did not 48 THE ELIZABETHAN PLAYGOER.
... , and again and again , and then if you do not like him , surely you are in some manifest danger " of losing a saving grace of life . III SHAKESPEARE IN ORAL TRADITION 1 I BIOGRAPHERS did not 48 THE ELIZABETHAN PLAYGOER.
Seite 49
With Other Essays Sir Sidney Lee. III SHAKESPEARE IN ORAL TRADITION 1 I BIOGRAPHERS did not lie in wait for men of ... history ( for your death - bed biographer , writing under kinsfolk's tear- laden eyes , must needs be smoother ...
With Other Essays Sir Sidney Lee. III SHAKESPEARE IN ORAL TRADITION 1 I BIOGRAPHERS did not lie in wait for men of ... history ( for your death - bed biographer , writing under kinsfolk's tear- laden eyes , must needs be smoother ...
Seite 50
... make thee a room . Thou art a monument without a tomb , And art alive still , while thy book doth live And we have wits to read and praise to give . CONTEMPORARY EULOGY 51 Milton wrote a few years later , 50 SHAKESPEARE IN ORAL TRADITION.
... make thee a room . Thou art a monument without a tomb , And art alive still , while thy book doth live And we have wits to read and praise to give . CONTEMPORARY EULOGY 51 Milton wrote a few years later , 50 SHAKESPEARE IN ORAL TRADITION.
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acting actor actor-manager actor-manager system actors and actresses artistic audience Ben Jonson Benson's Betterton biography career character Charles comedy contemporary critical Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Dryden Elizabethan Elizabethan playgoer endeavour England English experience French genius gossip Hamlet Henry histrionic honour imagination interests of dramatic Jonson Julius Cæsar King less literary drama literature London London County Council Lowin Macbeth manager memory ment methods Midsummer Night's Dream modern monument moral municipal theatre nation never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoing playhouse plays of Shakespeare poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedy Twelfth Night William Beeston William D'Avenant writing wrote