Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - 251 Seiten |
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Seite 12
... piece was per- mitted by the rules of the playhouse . The pro- gramme was constantly changed . The scenic ap- pliances were simple , adequate , and inexpensive . The supernumerary staff was restricted to the smallest practicable number ...
... piece was per- mitted by the rules of the playhouse . The pro- gramme was constantly changed . The scenic ap- pliances were simple , adequate , and inexpensive . The supernumerary staff was restricted to the smallest practicable number ...
Seite 17
... which was filled by one of the most distinguished actors of the Viennese stage . He fitted his part with telling accuracy . The whole piece was listened to with breathless interest . It was acted practically without curtail- ment ,
... which was filled by one of the most distinguished actors of the Viennese stage . He fitted his part with telling accuracy . The whole piece was listened to with breathless interest . It was acted practically without curtail- ment ,
Seite 20
... Piece out our imperfections with your thoughts ; Into a thousand parts divide one man , And make imaginary puissance : Think , when we talk of horses , that you see them Printing their proud hoofs i ' the receiving earth . For ' tis ...
... Piece out our imperfections with your thoughts ; Into a thousand parts divide one man , And make imaginary puissance : Think , when we talk of horses , that you see them Printing their proud hoofs i ' the receiving earth . For ' tis ...
Seite 21
... piece their highest powers of imagination , whereby alone can full justice be done to a majestic theme . The central topic of the choric speech is the essen- tial limitations of all scenic appliances . The dram- atist reminds us that ...
... piece their highest powers of imagination , whereby alone can full justice be done to a majestic theme . The central topic of the choric speech is the essen- tial limitations of all scenic appliances . The dram- atist reminds us that ...
Seite 22
... piece out the " imperfections " of the scenery with their " thoughts " or imagination . The spectator's " imaginary puissance " is , practi- cally in every circumstance , the key - stone of the dramatic illusion . SHAKESPEARE ON SCENIC ...
... piece out the " imperfections " of the scenery with their " thoughts " or imagination . The spectator's " imaginary puissance " is , practi- cally in every circumstance , the key - stone of the dramatic illusion . SHAKESPEARE ON SCENIC ...
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Häufige Begriffe und Wortgruppen
acting actor actor-manager actor-manager system actors and actresses artistic audience Ben Jonson Benson's Betterton biography career character Charles comedy contemporary critical Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Dryden Elizabethan Elizabethan playgoer endeavour England English experience French genius gossip Hamlet Henry histrionic honour imagination interests of dramatic Jonson Julius Cæsar King less literary drama literature London London County Council Lowin Macbeth manager memory ment methods Midsummer Night's Dream modern monument moral municipal theatre nation never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoing playhouse plays of Shakespeare poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedy Twelfth Night William Beeston William D'Avenant writing wrote