Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - 251 Seiten |
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Seite 12
... piece was per- mitted by the rules of the playhouse . The pro- gramme was constantly changed . The scenic ap- pliances were simple , adequate , and inexpensive . The supernumerary staff was restricted to the smallest practicable number ...
... piece was per- mitted by the rules of the playhouse . The pro- gramme was constantly changed . The scenic ap- pliances were simple , adequate , and inexpensive . The supernumerary staff was restricted to the smallest practicable number ...
Seite 17
... which was filled by one of the most distinguished actors of the Viennese stage . He fitted his part with telling accuracy . The whole piece was listened to with breathless interest . It was acted practically without curtail- ment ,
... which was filled by one of the most distinguished actors of the Viennese stage . He fitted his part with telling accuracy . The whole piece was listened to with breathless interest . It was acted practically without curtail- ment ,
Seite 20
... Piece out our imperfections with your thoughts ; Into a thousand parts divide one man , And make imaginary puissance : Think , when we talk of horses , that you see them Printing their proud hoofs i ' the receiving earth . For ' tis ...
... Piece out our imperfections with your thoughts ; Into a thousand parts divide one man , And make imaginary puissance : Think , when we talk of horses , that you see them Printing their proud hoofs i ' the receiving earth . For ' tis ...
Seite 21
... piece their highest powers of imagination , whereby alone can full justice be done to a majestic theme . The central topic of the choric speech is the essen- tial limitations of all scenic appliances . The dram- atist reminds us that ...
... piece their highest powers of imagination , whereby alone can full justice be done to a majestic theme . The central topic of the choric speech is the essen- tial limitations of all scenic appliances . The dram- atist reminds us that ...
Seite 22
... piece out the " imperfections " of the scenery with their " thoughts " or imagination . The spectator's " imaginary puissance " is , practi- cally in every circumstance , the key - stone of the dramatic illusion . SHAKESPEARE ON SCENIC ...
... piece out the " imperfections " of the scenery with their " thoughts " or imagination . The spectator's " imaginary puissance " is , practi- cally in every circumstance , the key - stone of the dramatic illusion . SHAKESPEARE ON SCENIC ...
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Häufige Begriffe und Wortgruppen
acting actor actor-manager actors and actresses artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography Cæsar career character Charles Charles Kean comedy commemorative contemporary criticism Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Elizabethan endeavour England English experience France French genius gossip Hamlet Henry histrionic honour human imagination Jonson Julius Cæsar King less lips literary drama literature London London County Council Lowin Macbeth manager memorial ment methods monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoer playhouse plays of Shakespeare poet poetic present produced realise rendered Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama Sir Henry Irving speare speare's spearean spectacular speech Stratford Stratford-on-Avon Tempest theatrical enterprise thou tion tragedy Twelfth Night virtue William Beeston William D'Avenant writing wrote