Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - 251 Seiten |
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Seite viii
... principles which underlie the past and present situation , rather than with particular episodes or personalities , the real value of which the future has yet to determine . My best thanks are due to my friend Sir James Knowles , the ...
... principles which underlie the past and present situation , rather than with particular episodes or personalities , the real value of which the future has yet to determine . My best thanks are due to my friend Sir James Knowles , the ...
Seite 11
... parts of Henry VI . , Troilus and Cressida , and Titus Andronicus . Of these , one alone , Richard II . , is really actable . The leading principles , to which Phelps strictly adhered throughout his career of management , call for most.
... parts of Henry VI . , Troilus and Cressida , and Titus Andronicus . Of these , one alone , Richard II . , is really actable . The leading principles , to which Phelps strictly adhered throughout his career of management , call for most.
Seite 20
... principle in the presentation of Shake- spearean drama . They run : - O for a muse of fire , that would ascend The brightest heaven of invention , A kingdom for a stage , princes to act , And monarchs to behold the swelling scene ! Then ...
... principle in the presentation of Shake- spearean drama . They run : - O for a muse of fire , that would ascend The brightest heaven of invention , A kingdom for a stage , princes to act , And monarchs to behold the swelling scene ! Then ...
Seite 23
... principles . Realistic " effects , " however speciously beautiful they may be , invari- ably tend to realism of that primal type , which satisfies the predilections of the groundling , and reduces drama to the level of the cinematograph ...
... principles . Realistic " effects , " however speciously beautiful they may be , invari- ably tend to realism of that primal type , which satisfies the predilections of the groundling , and reduces drama to the level of the cinematograph ...
Seite 47
... principle that the success of the romantic drama on the stage depends not merely on the actors ' gift of imagination , but to an even larger extent on the possession by the audience of a similar faculty . Good acting is need- ful ...
... principle that the success of the romantic drama on the stage depends not merely on the actors ' gift of imagination , but to an even larger extent on the possession by the audience of a similar faculty . Good acting is need- ful ...
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Häufige Begriffe und Wortgruppen
acting actor actor-manager actor-manager system actors and actresses artistic audience Ben Jonson Benson's Betterton biography career character Charles comedy contemporary critical Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Dryden Elizabethan Elizabethan playgoer endeavour England English experience French genius gossip Hamlet Henry histrionic honour imagination interests of dramatic Jonson Julius Cæsar King less literary drama literature London London County Council Lowin Macbeth manager memory ment methods Midsummer Night's Dream modern monument moral municipal theatre nation never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoing playhouse plays of Shakespeare poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedy Twelfth Night William Beeston William D'Avenant writing wrote