Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - 251 Seiten |
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Seite 2
... scene which escapes the efficient student , as that the student may supply the actor's lack of insight . It is , indeed , comparatively easy for a student of literature to support the proposition that Shake- speare can be , and ought to ...
... scene which escapes the efficient student , as that the student may supply the actor's lack of insight . It is , indeed , comparatively easy for a student of literature to support the proposition that Shake- speare can be , and ought to ...
Seite 5
... scene of The Tempest is all that can be reasonably attempted or desired . Plays which are wrought of purest imaginative tex- ture call solely for a scenic setting which should convey effective suggestion . The machinery to be employed ...
... scene of The Tempest is all that can be reasonably attempted or desired . Plays which are wrought of purest imaginative tex- ture call solely for a scenic setting which should convey effective suggestion . The machinery to be employed ...
Seite 6
... scenes . Intervals of the kind , which always tend to blunt the dramatic point of the play , especially in the case of tragic masterpieces , should obviously be as brief as possible . EFFECTS OF SIMPLIFICATION 7 assembly of Venetian ...
... scenes . Intervals of the kind , which always tend to blunt the dramatic point of the play , especially in the case of tragic masterpieces , should obviously be as brief as possible . EFFECTS OF SIMPLIFICATION 7 assembly of Venetian ...
Seite 13
... scene - painter and machinist , of the costumier and the musicians . The actor and actress often elude notice altogether . Charles Alexander Calvert at the Prince's Theatre , Manchester , between 1864 and 1874. Calvert , who was a warm ...
... scene - painter and machinist , of the costumier and the musicians . The actor and actress often elude notice altogether . Charles Alexander Calvert at the Prince's Theatre , Manchester , between 1864 and 1874. Calvert , who was a warm ...
Seite 17
... scene on board Pompey's galley , and there were the appointed flourishes of trumpets and drums . The acting was competent , though not of the highest calibre , but a satisfactory level was evenly maintained throughout the cast . There ...
... scene on board Pompey's galley , and there were the appointed flourishes of trumpets and drums . The acting was competent , though not of the highest calibre , but a satisfactory level was evenly maintained throughout the cast . There ...
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acting actor actor-manager actors and actresses artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography Cæsar career character Charles Charles Kean comedy commemorative contemporary criticism Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Elizabethan endeavour England English experience France French genius gossip Hamlet Henry histrionic honour human imagination Jonson Julius Cæsar King less lips literary drama literature London London County Council Lowin Macbeth manager memorial ment methods monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoer playhouse plays of Shakespeare poet poetic present produced realise rendered Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama Sir Henry Irving speare speare's spearean spectacular speech Stratford Stratford-on-Avon Tempest theatrical enterprise thou tion tragedy Twelfth Night virtue William Beeston William D'Avenant writing wrote