Shakespeare and the Modern Stage: With Other EssaysConstable, 1906 - 251 Seiten |
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Seite vii
... theatre of our own day . In revising the work for the press , I have deemed it advisable to submit the papers to a somewhat rigorous verbal revision . Errors have been corrected , chronological ambiguities due to lapse of time have been ...
... theatre of our own day . In revising the work for the press , I have deemed it advisable to submit the papers to a somewhat rigorous verbal revision . Errors have been corrected , chronological ambiguities due to lapse of time have been ...
Seite viii
... theatres of our own time , I have purposely refrained from expanding or altering argument or illustration by citing Shake- spearean performances or other theatrical enter- prises which have come to birth since the papers were first ...
... theatres of our own time , I have purposely refrained from expanding or altering argument or illustration by citing Shake- spearean performances or other theatrical enter- prises which have come to birth since the papers were first ...
Seite ix
... Theatre " in the New Liberal Review ; and that on " A Peril of Shakespearean Research " in The Author . The proprietors of these publications have courteously given me permission to include the articles in this volume . The essay on ...
... Theatre " in the New Liberal Review ; and that on " A Peril of Shakespearean Research " in The Author . The proprietors of these publications have courteously given me permission to include the articles in this volume . The essay on ...
Seite xi
... . Shakespeare in the Rôle of the Ghost on the First Production of Hamlet in 1602 25 • III . Shakespeare's Popularity in the Elizabethan Theatre 228 27 29 SHAKESPEARE AND THE ELIZABETHAN PLAYGOER - continued IV . At xi.
... . Shakespeare in the Rôle of the Ghost on the First Production of Hamlet in 1602 25 • III . Shakespeare's Popularity in the Elizabethan Theatre 228 27 29 SHAKESPEARE AND THE ELIZABETHAN PLAYGOER - continued IV . At xi.
Seite xii
... Theatre an Innovation in Elizabethan England VI . Elizabethan Methods of Production . VII . The Contrast between the Elizabethan and the Mod- ern Methods VIII . The Fitness of the Audience an Essential Element in the Success of ...
... Theatre an Innovation in Elizabethan England VI . Elizabethan Methods of Production . VII . The Contrast between the Elizabethan and the Mod- ern Methods VIII . The Fitness of the Audience an Essential Element in the Success of ...
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Häufige Begriffe und Wortgruppen
acting actor actor-manager actor-manager system actors and actresses artistic audience Ben Jonson Benson's Betterton biography career character Charles comedy contemporary critical Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Dryden Elizabethan Elizabethan playgoer endeavour England English experience French genius gossip Hamlet Henry histrionic honour imagination interests of dramatic Jonson Julius Cæsar King less literary drama literature London London County Council Lowin Macbeth manager memory ment methods Midsummer Night's Dream modern monument moral municipal theatre nation never Nicholas Rowe oral tradition Othello patriotic instinct Pepys's performance Phelps Phelps's philosophy piece playgoing playhouse plays of Shakespeare poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedy Twelfth Night William Beeston William D'Avenant writing wrote