Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11Gale Research Company, 1984 |
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Seite 137
... imagination . " He discusses at length Lear's supposed " dramatic defects " : the sightless Gloucester's " leap " from the cliff at Dover , Lear's motivation in dividing his kingdom , the blinding of Gloucester , and the grim conclusion ...
... imagination . " He discusses at length Lear's supposed " dramatic defects " : the sightless Gloucester's " leap " from the cliff at Dover , Lear's motivation in dividing his kingdom , the blinding of Gloucester , and the grim conclusion ...
Seite 141
... imagination not so very far removed from the mode with which , we must remember , Shakespeare was perfectly familiar in Morality plays and in the Fairy Queen . ( pp . 262-65 ) The influence of all this on imagination as we read King ...
... imagination not so very far removed from the mode with which , we must remember , Shakespeare was perfectly familiar in Morality plays and in the Fairy Queen . ( pp . 262-65 ) The influence of all this on imagination as we read King ...
Seite 334
... imagination over the senses . She sees Othello's colour in his mind . But upon the stage , when the imagination is no longer the ruling faculty , but we are left to our poor un- assisted senses , I appeal to every one that has seen ...
... imagination over the senses . She sees Othello's colour in his mind . But upon the stage , when the imagination is no longer the ruling faculty , but we are left to our poor un- assisted senses , I appeal to every one that has seen ...
Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words