Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 19Gale Research Company, 1984 |
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Seite 117
... sexual innuen- do is aggressively explicit . Helena herself is the medicine and the cure , sexual arousal . When Lafew hurries Helena into the king's presence in 2.1 like an impatient bawd with a wary novice , " Nay , come your ways ...
... sexual innuen- do is aggressively explicit . Helena herself is the medicine and the cure , sexual arousal . When Lafew hurries Helena into the king's presence in 2.1 like an impatient bawd with a wary novice , " Nay , come your ways ...
Seite 205
... sexually unmarked , if potentially eroticized , parts — the hand , fingers , nails , neck , elbow , chin - to sexually specific puns that name the sexual act and women's genitals . Katherine is dispersed or fragmented not through a ...
... sexually unmarked , if potentially eroticized , parts — the hand , fingers , nails , neck , elbow , chin - to sexually specific puns that name the sexual act and women's genitals . Katherine is dispersed or fragmented not through a ...
Seite 397
... sexual maturity and adult responsibility . Yet the parallel with Emilia's nostalgia is undeniably close . Her account , too— so emotionally charged that it makes her , according to Hippolyta , ' out of breath ' ( 1.3.82 ) evinces a ...
... sexual maturity and adult responsibility . Yet the parallel with Emilia's nostalgia is undeniably close . Her account , too— so emotionally charged that it makes her , according to Hippolyta , ' out of breath ' ( 1.3.82 ) evinces a ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 21 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona desire discourse drama dream Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Olivier's Othello perception performance Pericles play play's playgoer plot political Posthumus Prince Prospero queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ Winter's Tale witchcraft witches woman women words York