Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 19Gale Research Company, 1984 |
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Seite 79
... thou know'st thou art , and then thou art As great as that thou fearest . ( V , i , 147-9 ) Olivia points out the social distinction between Cesario and Duke Orsino , but exhorts the servant to embrace his new position as her husband ...
... thou know'st thou art , and then thou art As great as that thou fearest . ( V , i , 147-9 ) Olivia points out the social distinction between Cesario and Duke Orsino , but exhorts the servant to embrace his new position as her husband ...
Seite 200
... thou Henry : That counterfeit'st the person of a king ? The King himself , who , Douglas , grieves at heart So many of his shadows thou hast met , And not the very King .. Douglas : I fear thou art another counter- feit . . . . ( 5.4.26 ...
... thou Henry : That counterfeit'st the person of a king ? The King himself , who , Douglas , grieves at heart So many of his shadows thou hast met , And not the very King .. Douglas : I fear thou art another counter- feit . . . . ( 5.4.26 ...
Seite 423
... thou didst painfully remain A dozen years , within which space she died And left thee there , where thou didst vent thy groans As fast as mill - wheels strike . Then was this is- land- Save for the son that she did litter here , A ...
... thou didst painfully remain A dozen years , within which space she died And left thee there , where thou didst vent thy groans As fast as mill - wheels strike . Then was this is- land- Save for the son that she did litter here , A ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 21 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona desire discourse drama dream Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Olivier's Othello perception performance Pericles play play's playgoer plot political Posthumus Prince Prospero queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ Winter's Tale witchcraft witches woman women words York