Julius CaesarPan Macmillan, 11.08.2016 - 176 Seiten In Julius Caesar, William Shakespeare uses the most notorious murder in classical history to tell a tragic tale of friendship, ambition and betrayal. |
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Seite vii
... Roman monarchy 450 years previously. Under the Republic, Rome was ruled by consuls, elected for just one year at a time. To begin with they were all aristocrats, the patricians, but in later centuries faced rivalry from a new, aspiring ...
... Roman monarchy 450 years previously. Under the Republic, Rome was ruled by consuls, elected for just one year at a time. To begin with they were all aristocrats, the patricians, but in later centuries faced rivalry from a new, aspiring ...
Seite ix
... Roman law, vast infrastructure projects and foreign adventures, were feared by the leading Romans of his day as well as admired. And Caesar's ambitions for himself were an understandable matter for speculation. Did he desire the ...
... Roman law, vast infrastructure projects and foreign adventures, were feared by the leading Romans of his day as well as admired. And Caesar's ambitions for himself were an understandable matter for speculation. Did he desire the ...
Seite xiii
... Roman emperor, Augustus) shortly after in Act IV is brought forward a full two months of the date of his actual entry into Rome, on 20 May. The formation of the Second Triumverate between Mark Antony, Octavian and Lepidus (former consul ...
... Roman emperor, Augustus) shortly after in Act IV is brought forward a full two months of the date of his actual entry into Rome, on 20 May. The formation of the Second Triumverate between Mark Antony, Octavian and Lepidus (former consul ...
Seite xiv
... Roman Republic, perhaps the greatest political endeavour in history, and now they are shown to be the instruments of its destruction. Shakespeare manifests this dichotomy in beautiful language, and in a piquant reminder of the perils of ...
... Roman Republic, perhaps the greatest political endeavour in history, and now they are shown to be the instruments of its destruction. Shakespeare manifests this dichotomy in beautiful language, and in a piquant reminder of the perils of ...
Seite 12
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ambitious base bear better blood body bring BRUTUS Cæsar Capitol CASCA CASSIUS cause CICERO CINNA comes conspirators crown dead death DECIUS doth enemy Enter Exeunt Exit eyes face fear fellow fire FOURTH CITIZEN friends funeral give gods hand hast hath hear heart hence hold honourable Italy John keep kind Lear leave live look lord LUCILIUS LUCIUS March Mark Antony master mean meet MESSALA Metellus mighty never night noble OCTAVIUS pass Peace perhaps PINDARUS play PORTIA Publius reason rest Roman Rome SCENE SECOND CITIZEN senate SERVANT SOLDIER SOOTHSAYER speak spirit stand stay streets sword tell thee thing THIRD CITIZEN thou thought TITINIUS to-day true turn Tw.N wrong young