Julius CaesarPan Macmillan, 11.08.2016 - 176 Seiten In Julius Caesar, William Shakespeare uses the most notorious murder in classical history to tell a tragic tale of friendship, ambition and betrayal. |
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Seite viii
... play, the anachronistic references to a striking clock (a late-medieval invention) and to Elizabethan-style attire such as hats and doublets, have been attributed to the notion that the play makes veiled reference to the question of the ...
... play, the anachronistic references to a striking clock (a late-medieval invention) and to Elizabethan-style attire such as hats and doublets, have been attributed to the notion that the play makes veiled reference to the question of the ...
Seite ix
... play. Brutus had sided with Pompey in the civil war of 49, but submitted to Caesar after the defeat, and was rewarded with the governorship of Cisalpine Gaul. Cassius had been a quaestor, a treasury official, in the service of Crassus ...
... play. Brutus had sided with Pompey in the civil war of 49, but submitted to Caesar after the defeat, and was rewarded with the governorship of Cisalpine Gaul. Cassius had been a quaestor, a treasury official, in the service of Crassus ...
Seite xi
... play, it might seem a curious departure, but the Capitol was in fairness the most important building of any kind in Rome. Note that the Theatre of Flavius, later known as the Colosseum, Rome's largest amphitheatre, was not built until ...
... play, it might seem a curious departure, but the Capitol was in fairness the most important building of any kind in Rome. Note that the Theatre of Flavius, later known as the Colosseum, Rome's largest amphitheatre, was not built until ...
Seite xii
... play, the action of the assassination takes place. Brutus strikes the final blow, Caesar utters the anticipated line 'Et tu, Brute?' – And you, Brutus? – and the deed is done. This is a further departure from Plutarch, who relates that ...
... play, the action of the assassination takes place. Brutus strikes the final blow, Caesar utters the anticipated line 'Et tu, Brute?' – And you, Brutus? – and the deed is done. This is a further departure from Plutarch, who relates that ...
Seite xiv
... play. They are the very instincts that created and maintained the Roman Republic, perhaps the greatest political endeavour in history, and now they are shown to be the instruments of its destruction. Shakespeare manifests this dichotomy ...
... play. They are the very instincts that created and maintained the Roman Republic, perhaps the greatest political endeavour in history, and now they are shown to be the instruments of its destruction. Shakespeare manifests this dichotomy ...
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ambitious base bear better blood body bring BRUTUS Cæsar Capitol CASCA CASSIUS cause CICERO CINNA comes conspirators crown dead death DECIUS doth enemy Enter Exeunt Exit eyes face fear fellow fire FOURTH CITIZEN friends funeral give gods hand hast hath hear heart hence hold honourable Italy John keep kind Lear leave live look lord LUCILIUS LUCIUS March Mark Antony master mean meet MESSALA Metellus mighty never night noble OCTAVIUS pass Peace perhaps PINDARUS play PORTIA Publius reason rest Roman Rome SCENE SECOND CITIZEN senate SERVANT SOLDIER SOOTHSAYER speak spirit stand stay streets sword tell thee thing THIRD CITIZEN thou thought TITINIUS to-day true turn Tw.N wrong young