Acting, importance of, in Shake- spearean drama, 13; evil effects of long runs, Shake- speare on, 45, 47. Actor-manager, his merits and de- fects, 125, 126.
Actors, training of, 139; English, in France, 203. See also Ben- son, Mr. F. R., and Boys. Eschylus, statue of, 233. Albert, Prince (consort), and Shakespeare's birthplace, 222; statues of, 237, 238. Alleyn, Edward, 191, 194. Annual Register of 1770, 194. Aristotle, Shakespeare's mention of, 144, 145; Bacon's study of,
Arnold, Matthew, on Shakespeare,
Astronomy, Shakespeare on, 146. Athens, statuary at, 233.
Aubrey, John, his gossip of Shake- speare, 66, 67.
Austria, subsidised theatres in, 131, 136.
Bacon, Anthony, in France, 203. Bacon, Francis, philosophical method of, 143; on memorial monuments in New Atlantis, 234, 235.
Bacon, Sir Nicholas, his fame in France, 204.
Badger, Mr. Richard, proposal for a Shakespeare monument, 219. Bannister, music for The Tempest, 106, 107.
Barker, Mr. Granville, as Richard II., 13 n.
Basse, William, his tribute to Shakespeare, 50.
Beeston, Christopher, Elizabethan actor, 64.
Beeston, William the first, patron of Nash, 63, 64; second, his the- atrical career, 65, 66; his gos- sip about Shakespeare, 65; his conversation, 66; Aubrey's ac- count of, 67.
Beethoven, statue of, 233. Beljame, M. Alexandre, on Eng- lish literature, 201; death of, 201.
Benson, Mr. F. R., his company of actors, 111; his principles, 112 seq.; list of Shakespearean plays produced by, 114, 115 n.; his production of Hamlet una- bridged, 116–18; his training of actors, 119; his services to Shakespeare, 121; his pupils on the London stage, 130. Berkenhout, John, 195. Betterton, Thomas, at Stratford- on-Avon, 73; contributes to Rowe's biography, 73, 76; his rendering of Hamlet, 101, 102. Biography, art of, in England, 51 seq.
Bishop, Sir William, 76. Bishopsgate (London),
speare at, 226, 227.
Blackfriars, Shakespeare's house at, 227.
Boileau and English literature, 200.
Bolingbroke (in Richard II.), pa-
triotism of, 173, 174.
Bowman, John, actor, 69; at Stratford-on-Avon, 76.
Boys in women's parts in Eliza- bethan theatres, 19, 41; aban- donment of the practice, 43; superseded by women, 88,
Buchanan, George, his plays, 204. Burbage, Richard, Shakespeare's
friend and fellow actor, 33. Burns, Mr. John, 131. Burns, Robert, French study of,
201; monument to, 233, 237. Byron, Lord, on Petrarch at Ar- quà, 225; statue of, 237.
Calderon, 136, monument to, 233. Calvert, Charles A., his Shake- spearean productions at Man- chester, 12, 3 n.
Camoens, monument to, 233. Capital and the literary drama, 124-28.
Carlyle, Thomas, statue of, 237. Catiline's Conspiracy, by Ben Jon- son, 31.
Ceremony, Shakespeare on, 157, 158.
Chantrey, Sir Francis, and com- memoration of Shakespeare, 215. Charlecote, Shakespeare's esca- pade at, 76.
Chaucer, Geoffrey, French influ- ence on, 199.
Clarendon, Lord, on Shakespeare, 79.
Davenant, Robert, Sir William's brother, 70.
D'Avenant, Sir William, theatri- cal manager, 67; his youth at Oxford, 69; relations in boyhood with Shakespeare, 70; elegy on Shakespeare, 71; champion of Shakespeare's fame, 71; his story of Shakespeare and South- ampton, 72; his influence on Betterton, 72; manager of the Duke's company, 87 n.; as dram- atist, 98; his adaptations of Shakespeare, 103-05, 106 n.,
Deschamps, Eustace, on Chaucer,
Desportes, Philippe, and Eliza-
bethan poetry, 199.
D'Israeli, Isaac, on Steevens's for-
Downes, John, prompter and stage annalist, 63.
Dramatic societies in England,
Dress, Shakespeare on extrava- gant, 185. Drunkenness, Shakespeare on, 185. Dryden, John, on William Bee- ston, 66; as dramatist, 91; his share in the adaptation of The Tempest, 105.
Du Bellay, Joachim, and Eliza- bethan poetry, 199.
Ducis, Jean François, his trans- lation of Shakespeare, 207, 208.
Dugdale, Sir William, 74. Dumas père, on Shakespeare, 206; his translation of Hamlet, 209- 11.
Dyce, Alexander, on Steevens's for- gery, 196, 197.
Elizabeth, Queen, summons Shake- speare to Greenwich, 31. Elizabethan stage society, 13 n.
England, Shakespeare on history
Ennius on poetic fame, 232. Etherege, Sir George, 91. Eton College, debate about Shake- speare at, 78.
Euripides, statue of, 233. Evelyn, John, on Hamlet, 90.
Farquhar, George, 91. Faulconbridge (in King John), patriotism of, 174.
Fletcher, John, his Custom of the Country, 92, 93; its obscenity, 93. Folio, The First [of Shakespeare's Plays], actors' coöperation in, 59; list of actors in, 61. Folio, The Third [of Shakespeare's Plays], purchased by Pepys, 94. Folio, The Fourth [of Shake- speare's Plays], in Pepysian Li- brary, 94.
France, subsidised theatres in, 131, 134; Shakespeare in, 198 seq.; English actors in, 203. Freedom of the will, Shakespeare on, 166.
Fuller, Thomas, his Worthies of England, 52; notice of Shake- speare, 52.
Garrick, David, his stage costume,
Gentleman's Magazine of 1801, 195.
George IV. and commemoration of Shakespeare, 215.
German drama, 129, 135, 136. Germany, subsidised theatres in, 131, 134.
Goethe, 136; monument to, 233. Greene, Robert, French transla- tion of romance by, 199. Grendon, tradition of Shakespeare at, 77.
"Grenovicus," contributor to Gen- tleman's Magazine, 195.
Hales, John, of Eton, 78.
Hall, Bp. Joseph, French transla- tion of works by, 199. Hart, Charles, actor and Shake- speare's grand nephew, 59, 68. Hauptmann, 135.
Henry V. on kingly ceremony, 157; patriotism of, 175, 182. Heywood, Thomas, projected Lives of the Poets, 54 n.; his affection for Shakespeare, 65; his Apol- ogy for Actors, 65.
History plays of Shakespeare, character of, 180.
Hobbes, Thomas, in France, 200. Howe, Josias, on a Shakespeare tradition, 77.
Hugo, Victor, on Shakespeare, 206.
Lincoln's Inn Fields (Portugal Row), Theatre of, 86, 87 and n. Literary drama on the modern stage, 123; antagonism of cap- ital to, 126-28.
Lives of the Poets of the seven-
teenth century, 54 and n. Locke, John, in France, 200.
Locke, Matthew, Shakespearean
music of, 105, 108. Logic, Shakespeare on, 146. London, Shakespeare's association with, 226 seq.; statues in, 236, 237; proposed sites for Shake- speare monument, 239.
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peare's senior by two months, 37, 193.
Massinger, Philip, his Bondman, 92, 93.
Mathews, Charles, on a monu- ment of Shakespeare, 214. Metaphysics, Shakespeare on, 146– 48.
Mill, John Stuart, statue of, 237. Milton, his elegy on Shakespeare, 51, 231.
Molière, accepted methods of pro- ducing his plays, 16.
Montaigne, Michel de, and An- thony Bacon, 203; his essays in English, 204.
Moore, Thomas, and commemora- tion of Shakespeare, 215. More, Sir Thomas, his Utopia in France, 204.
Municipal theatre, its justifica-
tion, 122; in Europe, 134. Musset, Alfred de, on Shakespeare, 206.
Nash, John, and commemoration of Shakespeare, 215.
Nash, Thomas, 64.
Nodier, Charles, his Persées de Shakespeare, 211-13. Norwegian drama, 129.
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