Workshop: A Manual of Acting

acting actions actors Adapted Affective Allow audience Avoid ball begin believe Bell body breath camera chapter character Choose circumstances closely conversation create develop emcee emotion enters Example exercise eyes face feel Filipino five focus four freeze gestures gibberish give given happen imaginary imagination improv improvisation keep Keith Johnstone leader leaves listening look mask master Materials memory MICHIGAN minutes mirror move movement object observe offer pair perform person physical pick pitch play player position Practice prepare present Procedure questions Realism relaxed Remember repeat responses roles scene sentences servant side sometimes sound speak stage stand Stanislavski status stop story teachers techniques theater truth Version Viola Spolin voice volume walking