The Works of Alexander Pope, Esq: With Notes and Illustrations by Himself and Others. To which are Added, a New Life of the Author, an Estimate of His Poetical Character and Writings, and Occasional Remarks,, Band 4C. and J. Rivington; T. Cadell; Longman, Hurst, Rees, Orme, Brown, and Green; J. Cuthell; J. Nunn; ... [and 25 others in London]; and Deighton and Sons, Cambridge; and A. Black, and J. Fairbairn, Edinburgh., 1824 |
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Seite 3
... Goddess of Dulness , to be the chief instrument of that great work which was the subject of the poem ; namely , " the introduction ( as our Author expresses it ) of the lowest di- versions of the rabble of Smithfield , to be the ...
... Goddess of Dulness , to be the chief instrument of that great work which was the subject of the poem ; namely , " the introduction ( as our Author expresses it ) of the lowest di- versions of the rabble of Smithfield , to be the ...
Seite 4
... Goddess's transporting the new king to her temple , laying him in a deep slumber on her lap , and conveying him in a vision . to the banks of Lethe , where he meets with the ghost of his predecessor Settle ; who , in a speech that ...
... Goddess's transporting the new king to her temple , laying him in a deep slumber on her lap , and conveying him in a vision . to the banks of Lethe , where he meets with the ghost of his predecessor Settle ; who , in a speech that ...
Seite 5
... Goddess's lap , was adapted to his stupidity , not to the vivacity of his successor . On the whole , the chief fault of the Dunciad , is the violence and vehemence of its satire , and the excessive height to which it is carried ; and ...
... Goddess's lap , was adapted to his stupidity , not to the vivacity of his successor . On the whole , the chief fault of the Dunciad , is the violence and vehemence of its satire , and the excessive height to which it is carried ; and ...
Seite 7
... Goddess of Dulness ; who has her courts , and her altars , her priests , and her votaries , her mysteries , her celebra- tions , and her games ! She has also her particular favorites , heroes , and prime ministers ; and as on this earth ...
... Goddess of Dulness ; who has her courts , and her altars , her priests , and her votaries , her mysteries , her celebra- tions , and her games ! She has also her particular favorites , heroes , and prime ministers ; and as on this earth ...
Seite 8
... goddess , are all displayed to the greatest advantage , so as to diversify the action , and add to the interest of the poem . By these means the dominions of the god- dess are extended , and her authority is secured . Science , and ...
... goddess , are all displayed to the greatest advantage , so as to diversify the action , and add to the interest of the poem . By these means the dominions of the god- dess are extended , and her authority is secured . Science , and ...
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Absalom and Achitophel abuse Æneid Alluding ancient Aristarchus bard Bavius behold booksellers Bowles called cause Chaos character Cibber Codrus Concanen Court Curl Dennis divine Dryden dull Dulness Dunce Dunciad edition Epic Epigram Eridanus Essay on Criticism ev'ry eyes fool former Edd friends genius gentleman Gildon Goddess hath head Heav'n Hero Homer honour Ibid Iliad IMITATIONS King Laureate learned Leonard Welsted Letter LEWIS THEOBALD lines Lord manner Milton Mist's Journal moral Muse nature never notes o'er octavo Oldmixon Ovid P. W. Ver P.t Ver passage person philosopher poem poet poet's poetical poetry Pope Pope's praise Pref printed published Queen reader religion REMARKS ridicule saith satire says SCRIBLERUS Shakespear shew sons soul Swift taste thee Theobald thing thou thro Tibbald tion translation true truth verses Virg Virgil virtue Wakefield Warburton Warton Welsted whole words writ writer
Beliebte Passagen
Seite 337 - Religion blushing veils her sacred fires, And unawares Morality expires. Nor public flame, nor private, dares to shine; Nor human spark is left, nor glimpse divine! Lo! thy dread empire, Chaos! is restored; Light dies before thy uncreating word; Thy hand, great Anarch! lets the curtain fall, And universal Darkness buries all.
Seite 334 - Argus' eyes by Hermes' wand opprest, Closed one by one to everlasting rest; Thus at her felt approach, and secret might, Art after art goes out, and all is night.
Seite 292 - The critic Eye, that microscope of Wit, Sees hairs and pores, examines bit by bit...
Seite 297 - Show all his paces, not a step advance. With the same cement, ever sure to bind, We bring to one dead level every mind. Then take him to develop, if you can, And hew the block off, and get out the man. 270 But wherefore waste I words? I see advance Whore, pupil, and laced governor from France. Walker! our hat' nor more he deigned to say, But, stern as Ajax
Seite 243 - I turn my ravish'd eyes, gay gilded scenes and shining prospects rise, poetic fields encompass me around, and still I seem to tread on classic ground; for here the Muse so oft her harp has strung, that not a mountain rears its head unsung, renown'd in verse each shady thicket grows, and every stream in heavenly numbers flows.
Seite 289 - Thy mighty scholiast, whose unwearied pains Made Horace dull, and humbled Milton's strains. Turn what they will to verse, their toil is vain, Critics like me shall make it prose again.
Seite 301 - To lands of singing, or of dancing slaves, Love-whispering woods, and lute-resounding waves. But chief her shrine where naked Venus keeps, And Cupids ride the lion of the deeps; Where, eased of fleets, the Adriatic main Wafts the smooth eunuch and enamour'd swain.
Seite 12 - A perfect judge will read each work of wit With the same spirit that its author writ ; Survey the whole, nor seek slight faults to find Where nature moves, and rapture warms the mind ; Nor lose, for that malignant dull delight, The generous pleasure to be charm'd with wit.
Seite 291 - While towering o'er your alphabet, like Saul, Stands our Digamma, and o'ertops them all. Tis true, on words is still our whole debate, Disputes of me or te, of aut or at, To sound or sink in cano, O or A, Or give up Cicero to C or K.
Seite 269 - When lo! a Harlot form soft sliding by, With mincing step, small voice, and languid eye: Foreign her air, her robe's discordant pride In patch-work flutt'ring, and her head aside: By singing Peers up-held on either hand, She tripp'd and laugh'd, too pretty much to stand: Cast on the prostrate Nine a scornful look, Then thus in quaint Recitative spoke. "O Cora! Cara! silence all that train: Joy to great Chaos! let Division reign...