The Works of Alexander Pope, Esq: With Notes and Illustrations by Himself and Others. To which are Added, a New Life of the Author, an Estimate of His Poetical Character and Writings, and Occasional Remarks,, Band 4C. and J. Rivington; T. Cadell; Longman, Hurst, Rees, Orme, Brown, and Green; J. Cuthell; J. Nunn; ... [and 25 others in London]; and Deighton and Sons, Cambridge; and A. Black, and J. Fairbairn, Edinburgh., 1824 |
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Seite 18
... they were pleased to revive them . Now what had Mr. POPE done before , to incense them ? He had published those works which are in the hands of every body , in which not the least mention is made of any of them . And what 18 A LETTER.
... they were pleased to revive them . Now what had Mr. POPE done before , to incense them ? He had published those works which are in the hands of every body , in which not the least mention is made of any of them . And what 18 A LETTER.
Seite 19
... mention is made of any of them . And what has he done since ? He has laughed , and written the DUNCIAD . What has that said of them ? A very serious truth , which the public had said before , that they were dull ; and what it had no ...
... mention is made of any of them . And what has he done since ? He has laughed , and written the DUNCIAD . What has that said of them ? A very serious truth , which the public had said before , that they were dull ; and what it had no ...
Seite 24
... mentioned BOILEAU , the greatest poet and most judicious critic of his age and country , admirable for his talents , and yet perhaps more admirable for his judgment in the proper appli- cation of them ; I cannot help remarking the re ...
... mentioned BOILEAU , the greatest poet and most judicious critic of his age and country , admirable for his talents , and yet perhaps more admirable for his judgment in the proper appli- cation of them ; I cannot help remarking the re ...
Seite 36
... mention the French critics , * Reflections , critical and satirical , on a Rhapsody , called an Essay on Criticism . Printed for Bernard Lintot , octavo . P .. I should be very glad to have the benefit of 36 TESTIMONIES.
... mention the French critics , * Reflections , critical and satirical , on a Rhapsody , called an Essay on Criticism . Printed for Bernard Lintot , octavo . P .. I should be very glad to have the benefit of 36 TESTIMONIES.
Seite 38
... mention what Monsieur Boi- leau has so well enlarged upon in the preface to his works : That wit and fine writing doth not consist so much in advancing things that are new , as in giving things that are known an agreeable turn . It is ...
... mention what Monsieur Boi- leau has so well enlarged upon in the preface to his works : That wit and fine writing doth not consist so much in advancing things that are new , as in giving things that are known an agreeable turn . It is ...
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Absalom and Achitophel abuse Æneid Alluding ancient Aristarchus bard Bavius behold booksellers Bowles called cause Chaos character Cibber Codrus Concanen Court Curl Dennis divine Dryden dull Dulness Dunce Dunciad edition Epic Epigram Eridanus Essay on Criticism ev'ry eyes fool former Edd friends genius gentleman Gildon Goddess hath head Heav'n Hero Homer honour Ibid Iliad IMITATIONS King Laureate learned Leonard Welsted Letter LEWIS THEOBALD lines Lord manner Milton Mist's Journal moral Muse nature never notes o'er octavo Oldmixon Ovid P. W. Ver P.t Ver passage person philosopher poem poet poet's poetical poetry Pope Pope's praise Pref printed published Queen reader religion REMARKS ridicule saith satire says SCRIBLERUS Shakespear shew sons soul Swift taste thee Theobald thing thou thro Tibbald tion translation true truth verses Virg Virgil virtue Wakefield Warburton Warton Welsted whole words writ writer
Beliebte Passagen
Seite 337 - Religion blushing veils her sacred fires, And unawares Morality expires. Nor public flame, nor private, dares to shine; Nor human spark is left, nor glimpse divine! Lo! thy dread empire, Chaos! is restored; Light dies before thy uncreating word; Thy hand, great Anarch! lets the curtain fall, And universal Darkness buries all.
Seite 334 - Argus' eyes by Hermes' wand opprest, Closed one by one to everlasting rest; Thus at her felt approach, and secret might, Art after art goes out, and all is night.
Seite 292 - The critic Eye, that microscope of Wit, Sees hairs and pores, examines bit by bit...
Seite 297 - Show all his paces, not a step advance. With the same cement, ever sure to bind, We bring to one dead level every mind. Then take him to develop, if you can, And hew the block off, and get out the man. 270 But wherefore waste I words? I see advance Whore, pupil, and laced governor from France. Walker! our hat' nor more he deigned to say, But, stern as Ajax
Seite 243 - I turn my ravish'd eyes, gay gilded scenes and shining prospects rise, poetic fields encompass me around, and still I seem to tread on classic ground; for here the Muse so oft her harp has strung, that not a mountain rears its head unsung, renown'd in verse each shady thicket grows, and every stream in heavenly numbers flows.
Seite 289 - Thy mighty scholiast, whose unwearied pains Made Horace dull, and humbled Milton's strains. Turn what they will to verse, their toil is vain, Critics like me shall make it prose again.
Seite 301 - To lands of singing, or of dancing slaves, Love-whispering woods, and lute-resounding waves. But chief her shrine where naked Venus keeps, And Cupids ride the lion of the deeps; Where, eased of fleets, the Adriatic main Wafts the smooth eunuch and enamour'd swain.
Seite 12 - A perfect judge will read each work of wit With the same spirit that its author writ ; Survey the whole, nor seek slight faults to find Where nature moves, and rapture warms the mind ; Nor lose, for that malignant dull delight, The generous pleasure to be charm'd with wit.
Seite 291 - While towering o'er your alphabet, like Saul, Stands our Digamma, and o'ertops them all. Tis true, on words is still our whole debate, Disputes of me or te, of aut or at, To sound or sink in cano, O or A, Or give up Cicero to C or K.
Seite 269 - When lo! a Harlot form soft sliding by, With mincing step, small voice, and languid eye: Foreign her air, her robe's discordant pride In patch-work flutt'ring, and her head aside: By singing Peers up-held on either hand, She tripp'd and laugh'd, too pretty much to stand: Cast on the prostrate Nine a scornful look, Then thus in quaint Recitative spoke. "O Cora! Cara! silence all that train: Joy to great Chaos! let Division reign...