Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 57Gale Research Company, 1984 |
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Seite 125
... live all their lives : those who live by the sword , dying by the sword . These resonances are a living part of Shakespeare's dramatic vision in his Histories . In the Henry IV plays , a royal usurper , even a Cain - like brother ...
... live all their lives : those who live by the sword , dying by the sword . These resonances are a living part of Shakespeare's dramatic vision in his Histories . In the Henry IV plays , a royal usurper , even a Cain - like brother ...
Seite 194
... live and act in the face of certain dissolution but gives no unequivocal signs of controlling deities or of moral or even natural law to provide meaning either for our lives as a whole or for the single activities within it ? Tragedy's ...
... live and act in the face of certain dissolution but gives no unequivocal signs of controlling deities or of moral or even natural law to provide meaning either for our lives as a whole or for the single activities within it ? Tragedy's ...
Seite 239
... live as private citizens rather than suffer the guilt all kings must incur . He goes on to warn against the greatest danger , the desire to have it all - the clean conscience of a private man and the power of a prince . Having just ...
... live as private citizens rather than suffer the guilt all kings must incur . He goes on to warn against the greatest danger , the desire to have it all - the clean conscience of a private man and the power of a prince . Having just ...
Inhalt
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Urheberrecht | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York