T.S. Eliot: The Waste LandNick Selby Columbia University Press, 2001 - 186 Seiten Selby (American studies, U. of Wales, Swansea) considers the critical history of T.S. Eliot's The Waste Land . Selby contends that the poem is a crucial document that marks and produces a change in sensibility from unity of thought to a modern even postmodern apprehension of the plurality of exper |
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aesthetic allusions Archetypal artist attempt become Brooks chapter Cleanth Brooks coherent Conrad Aiken contemporary contrast Craig critical history critical practice critical readings critique culture Damyata dead deconstructive desire Edmund Wilson effect Eliot's poem Eliot's poetry Ellmann emotional English essay Eugenides experience extract Ezra Pound F. R. Leavis fact feel Fire Sermon Fisher King fragments Freud Game of Chess human I. A. Richards ideology impersonality important irony Land's language Leavis lines literature London Madame Sosostris meaning metaphor metonymic mind modern consciousness modernist myth mythic obscurity passage past perhaps poem poem's poet poetic political protagonist quotations radical readers reading the poem reading The Waste reference Ricks ritual Ritual to Romance seems seen sense sensibility sexual Shantih social sterile symbol T.S. Eliot Terry Eagleton theme thought thunder tion Tiresias tradition typist unified unity voice Waste Land Weston whole woman words writing