The English Illustrated Magazine, Band 1Macmillan and Company, 1884 |
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Seite vii
... MARK , THE . A Spiritual Romance . By J. H. SHORTHOUSE . 574 467 3 94 " LIZARD LIGHTS , THE . BY NIGHT . " Frontispiece , engraved by R. PATERSON , from a drawing by C. NAPIER HEMY , facing " LOVING CUP . THE . " Frontispiece , engraved ...
... MARK , THE . A Spiritual Romance . By J. H. SHORTHOUSE . 574 467 3 94 " LIZARD LIGHTS , THE . BY NIGHT . " Frontispiece , engraved by R. PATERSON , from a drawing by C. NAPIER HEMY , facing " LOVING CUP . THE . " Frontispiece , engraved ...
Seite 3
... mark . Or it may be they preferred to see the end of an old story a very old story to the beginning of a new . No. 1 For such a choice there was something to be said . They may live to see many note- worthy sights in Mr. Street's new ...
... mark . Or it may be they preferred to see the end of an old story a very old story to the beginning of a new . No. 1 For such a choice there was something to be said . They may live to see many note- worthy sights in Mr. Street's new ...
Seite 15
... mark an epoch . To the nation's irreparable loss that epoch has been but too plainly marked in a sadder way . Many must remember with regret that as the architect did not live to see the accomplishment of his grandest work , so while ...
... mark an epoch . To the nation's irreparable loss that epoch has been but too plainly marked in a sadder way . Many must remember with regret that as the architect did not live to see the accomplishment of his grandest work , so while ...
Seite 40
... mark the significance of this change , and to illustrate its influence upon his design . The Lady Lilith and the ... marks a period during which the contending forces of his earlier and his later style were held in equilibrium , and when ...
... mark the significance of this change , and to illustrate its influence upon his design . The Lady Lilith and the ... marks a period during which the contending forces of his earlier and his later style were held in equilibrium , and when ...
Seite 77
... mark by which , in these days of change and restoration , its ancient environments may be identified . With Gibbons ' fine statue of James II . , which now stands at its back , it consti- tutes the sole sur- viving portion of old ...
... mark by which , in these days of change and restoration , its ancient environments may be identified . With Gibbons ' fine statue of James II . , which now stands at its back , it consti- tutes the sole sur- viving portion of old ...
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Häufige Begriffe und Wortgruppen
Ambrose Arcachon Augustinian Bazaine beautiful began better Birkenholt Birmingham Bradberry brother Cadgwith called cañons Church clavichord colour court cried D. G. ROSSETTI Dartmoor door Drawing England English etcher eyes face father feet flowers Forest garden Giles girl hall hand harpsichord HARRY FURNISS head heard heart Julia King knew lads lady larvæ live London looked Lord Luther Mark Master Headley Matthew Arnold ment Middle Temple mind monk mother nature never night once oyster Palace passed Patsy perhaps pianoforte plate Poltesco poor Post-Office present Prince Princess Randall river rock Rossetti round seemed seen side sorr spat spinet Stephen stood strange sun-birds tell thee things thou thought Tibble tion took turned Uinta Mountains uncle walk woman word young
Beliebte Passagen
Seite 189 - Sweet and low, sweet and low, Wind of the western sea, Low, low, breathe and blow, Wind of the western sea ! Over the rolling waters go, Come from the dying moon, and blow, Blow him again to me ; While my little one, while my pretty one, sleeps.
Seite 376 - When that I was and a little tiny boy, With hey, ho, the wind and the rain; A foolish thing was but a toy, For the rain it raineth every day.
Seite 376 - Thou must be patient; we came crying hither. Thou know'st, the first time that we smell the air, We wawl, and cry: — I will preach to thee; mark me. Glo. Alack, alack the day ! Lear. When we are born, we cry, that we are come To this great stage of fools...
Seite 374 - Too old, by heaven : let still the woman take An elder than herself : so wears she to him, So sways she level in her husband's heart : For, boy, however we do praise ourselves, Our fancies are more giddy and unfirm, More longing, wavering, sooner lost and worn, Than women's are.
Seite 183 - Do ye hear the children weeping, O my brothers, Ere the sorrow comes with years? They are leaning their young heads against their mothers, And that cannot stop their tears. The young lambs are bleating in the meadows, The young birds are chirping in the nest, The young fawns are playing with the shadows, The young flowers are blowing toward the west — But the young, young children, O my brothers, They are weeping bitterly! They are weeping in the playtime of the others, In the country of the free.
Seite 269 - The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands. His hair is crisp, and black, and long, His face is like the tan; His brow is wet with honest sweat, He earns whate'er he can, And looks the whole world in the face, For he owes not any man.
Seite 725 - The waiter took a fever, in which he lay for some time. When he recovered, he said he had a message to deliver to some women from Ford; but he was not to tell what, or to whom. He walked out; he was followed; but somewhere about St. Paul's they lost him. He came back, and said he had delivered the message, and the women exclaimed, 'Then we are all undone!
Seite 214 - Läßt der Türme Flammengipfel, Marmorhäuser, eine Schöpfung Seiner Fülle, hinter sich. Zedernhäuser trägt der Atlas Auf den Riesenschultern: sausend Wehen über seinem Haupte Tausend Flaggen durch die Lüfte, Zeugen seiner Herrlichkeit. Und so trägt er seine Brüder, Seine Schätze, seine Kinder Dem erwartenden Erzeuger Freudebrausend an das Herz.
Seite 381 - For the lips of a strange woman drop as an honeycomb, and her mouth is smoother than oil: but her end is bitter as wormwood, sharp as a two-edged sword. Her feet go down to death; her steps take hold on hell.
Seite 404 - I saw not their execution, but met their quarters, mangled, and cut, and reeking, as they were brought from the gallows in baskets on the hurdle.