Psychology Press, 23.12.2004 - 211 Seiten
First published in 1987.
Often the best known and most memorable passages in Shakespeare's plays, the soliloquies, also tend to be the focal points in the drama. Twenty-seven soliloquies are examined in this work, illustrating how the spectator or reader is led to the soliloquy and how the drama is continued afterwards. The detailed structure of each soliloquy is discussed, as well as examining them within the structure of the entire play - thereby extending the interpretation of the work as a whole.
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abstract action actor already appears attention audience aware becomes beginning Brutus character close comparison continues contrast conventions convey course death detail dialogue direct dramatic earlier early effect element Elizabethan emotions Enter expectations expression eyes father fear feeling figure final follow further give given going Hamlet hand hear honour human imagination important impression indication inner Juliet king Lady language later leads Lear less letter light lines look Macbeth means mind monologue moved murder nature night observations occur opening Othello particular passage person play possible preceding prepared presented questions reading reference reflection reveal rhetorical Richard Romeo scene seems sense sentence setting Shakespeare significance situation sleep soliloquy speaker speaks speech spoken stage style thee things thou thoughts tragedies turn understanding vision whole
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