Mr. Meeson's WillDigiCat, 04.09.2022 - 163 Seiten In 'Mr. Meeson's Will,' H. Rider Haggard moves beyond his celebrated tales of adventure to spin a narrative woven with the legal and moral complexities of inheritance and authorship. This novel diverges from Haggard's typical exotic locales and instead delves into the industrialized world with a sharp analysis of Victorian society. The literary style of the book is marked by Haggard's distinctive narrative voice and is framed within the broader context of 19th-century English literature, where it finds its place among the critiques of societal norms and the exploration of individual rights amidst a rapidly changing economic landscape. Haggard, renowned for his African adventures and the creation of the iconic character Allan Quatermain, infuses his personal experiences into his writing. As a former barrister's clerk and someone with firsthand knowledge of the publishing world's intricacies, Haggard brings authenticity and incisive commentary to the discussion of intellectual property and the often convoluted path of legacies. His insights presciently echo in today's conversations surrounding copyright and the ownership of creative work. 'Mr. Meeson's Will' stands out as a testament to Haggard's versatility and his acute understanding of human nature and societal constructs. This work is recommended for not only enthusiasts of Haggard's adventure narratives but also for readers who appreciate Victorian literature's nuanced examination of morality and legal dilemmas. The novel's republishing by DigiCat assures that its classic status is honored and that its themes and Haggard's keen literary craftsmanship continue to be celebrated and studied. |
Im Buch
Ergebnisse 1-5 von 58
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... eyes of everybody connected with it—which was, of course, as it should be, in this happy land of commerce. After all that has been written, the reader will not be surprised to learn that the partners — AUGUSTA AND HER PUBLISHER.
... eyes of everybody connected with it—which was, of course, as it should be, in this happy land of commerce. After all that has been written, the reader will not be surprised to learn that the partners — AUGUSTA AND HER PUBLISHER.
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... eyes, a fine forehead, and a delicate mouth; just now, however, she looked very nervous. “Well, Miss Smithers, what is it?” asked the publisher. “I came, Mr. Meeson—I came about my book.” “Your book, Miss Smithers?” this was an ...
... eyes, a fine forehead, and a delicate mouth; just now, however, she looked very nervous. “Well, Miss Smithers, what is it?” asked the publisher. “I came, Mr. Meeson—I came about my book.” “Your book, Miss Smithers?” this was an ...
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... eyes. “What!” he said. “What!” At this moment the door opened, and a young gentleman came slowly in. He was a very nice-looking young man, tall and well shaped, with a fair skin and jolly blue eyes—in short, a typical young Englishman ...
... eyes. “What!” he said. “What!” At this moment the door opened, and a young gentleman came slowly in. He was a very nice-looking young man, tall and well shaped, with a fair skin and jolly blue eyes—in short, a typical young Englishman ...
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... eyes full of tears, and tried to smile. “Thank you,” she said; “I am very silly, but I am so disappointed. If you only knew—. There I will go. Thank you,” and in another instant she had drawn herself up and left the room. “Well,” said ...
... eyes full of tears, and tried to smile. “Thank you,” she said; “I am very silly, but I am so disappointed. If you only knew—. There I will go. Thank you,” and in another instant she had drawn herself up and left the room. “Well,” said ...
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... eyes were by this time flashing fire, for he had worked himself up as he went along, brought his fist down with a bang upon the writing table by way of emphasising his words. “Have you done?” said his uncle. “Yes, I've done; and.
... eyes were by this time flashing fire, for he had worked himself up as he went along, brought his fist down with a bang upon the writing table by way of emphasising his words. “Have you done?” said his uncle. “Yes, I've done; and.
Inhalt
AUGUSTAS DECISION | |
THE R M S KANGAROO | |
MR TOMBEY GOES FORWARD | |
THE CATASTROPHE | |
KERGUELEN LAND | |
EUSTACE BUYS A PAPER | |
AT HANOVERSQUARE | |
EUSTACE CONSULTS A LAWYER | |
SHORT ON LEGAL ETIQUETTE | |
HOW AUGUSTA WAS FILED | |
AUGUSTA FLIES | |
MEESON V ADDISON AND ANOTHER | |
JAMES BREAKS DOWN | |
AUGUSTA TO THE RESCUE | |
THE LAST OF MR MEESON | |
RESCUED | |
SOUTHAMPTON QUAY | |
BEFORE THE RIGHT HONOURABLE THE PRESIDENT IN THE MATTER OF MEESON DECEASED | |
GRANT AS PRAYED | |
ST GEORGES HANOVERSQUARE | |
ADDISON AND ANOTHER | |
MEESONS ONCE AGAIN | |
THE | |
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Häufige Begriffe und Wortgruppen
Addison and Roscoe answered Augusta Attorney-General barrister Bill Birmingham boat bowed can’t captain child clerk client counsel course Court dear DigiCat document door Eustace Meeson Eustace’s evidence executed eyes face feel Fiddlestick fishbone fortune gentleman girl hand head heart hundred James Short Jeannie Jemima’s Vow John Short Johnnie Jonathan Meeson Kangaroo Kerguelen Land Lady Holmhurst lady’s learned little Dick little Jeannie living looked Lord Holmhurst Lordship married matter mind Miss Augusta Smithers Miss Smithers never o’clock once perhaps photographer plaintiff Ponta Delgada poor pounds present Probate publishing Rider Haggard rose round rush sail sailors ship shoulders shouted sigh sight solicitor Somerset House stood suddenly suppose sure Table of Contents tattooed tell testator there’s thing thought Todd told Tombey took turned uncle Waterloo Station witness woman wonder young lady Zealand