Julius CaesarPenguin UK, 07.04.2005 - 272 Seiten 'Cry havoc and let slip the dogs of war, |
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... Rome, and crowd support goes at first to Brutus, before Antony wins them over with his altogether slicker performance in the public pulpit. This is a crucial moment not only in determining Rome's political future but also in the play's ...
... Rome. But arguably it's not that sort of authenticity that matters: the play demonstrably doesn't correspond in every detail to what historians know of Rome in the first century BC, but what matters in a drama is how far the world ...
... Rome As easily as a king. (I.2.157–60) Those lines work to establish the difference between Caesar's Rome and Shakespeare's England in two ways. One is very obvious: England is a monarchy, whereas the Rome of the play has been a ...
... Rome' (I.1.36). Equally, a collective public response to individual politicians is often central to the workings of statecraft in any age: issues may be coloured, or even obscured, by the personal qualities of the men and women who ...
... Rome. The action takes place at a late – indeed, terminal – stage in the life of the Roman Republic, and the past still exerts its inuence. It is an important and distinctive part of the urban environment in the form of the statues ...