Julius CaesarPenguin UK, 07.04.2005 - 272 Seiten 'Cry havoc and let slip the dogs of war, |
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... actors the alternation between serious and comic modes from play to play, and often also within the plays themselves, that the repertory system within which he worked demanded, and which provided an invaluable stimulus to his ...
... actor and writer in the provinces and London. The London theatres closed because of plague in 1593 and 1594; and during these years, perhaps recognizing the need for an alternative career, he wrote and published the narrative poems ...
... actor often played more than one role in a play and additional actors were hired as needed. Led by the tragedian Richard Burbage (1568–1619) and, initially, the comic actor Will Kemp (d. 1603), they rapidly achieved a high reputation ...
... Actors entered through doors in the back wall of the stage. Above it was a balconied area that could represent the walls of a town (as in King John), or a castle (as in Richard II), and indeed a balcony (as in Romeo and Juliet). In 1609 ...
... actor David Garrick (1717–79) organized a spectacular jubilee in Stratford in 1769 that Shakespeare began to be regarded as a transcendental genius. Garrick's idolatry prefigured the enthusiasm of critics such as Samuel Taylor Coleridge ...