Julius CaesarPenguin UK, 07.04.2005 - 272 Seiten 'Cry havoc and let slip the dogs of war, |
Im Buch
Ergebnisse 1-5 von 35
... audiences. He is the greatest of poets, but he is essentially a dramatic poet. Though his plays have much to offer to readers, they exist fully only in performance. In these volumes we offer individual introductions, notes on language ...
... audiences have responded to challenges and rewards offered by the plays. The Penguin Shakespeare series aspires to remove obstacles to understanding and to make pleasurable the reading of the work of the man who has done more than most ...
... audience management through public oratory: politicians win and lose power according to their ability to inuence the Roman people with their rhetoric. Brutus the conspirator and Caesar the ruler whom he helps to assassinate both ...
... audience. So far we have witnessed rhetoric that is at best semi-public, directed at particular groups of people – petitioners, colleagues, potential enemies – rather than at a mass audience. But the two great political speeches of this.
... audience; and the other is not to play it to the audience. The reason for the paradox is the doubleness of viewpoint which the play seems to demand of us. If the actor playing Mark Antony delivers his speech to the audience then, quite ...