Julius CaesarPenguin UK, 07.04.2005 - 272 Seiten 'Cry havoc and let slip the dogs of war, |
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... the characterful prose of Falstaff and Hamlet's soliloquies. The effect is of increasing psychological realism, reaching its greatest heights in Hamlet, Othello, King Lear, Macbeth and Antony and Cleopatra. Gradually he discovered ways of.
... effects such as ourishes of trumpets, music both martial and amorous, and accompaniments to songs were provided by the company's musicians. Actors entered through doors in the back wall of the stage. Above it was a balconied area that ...
... effect is to give him something he must apologize for when Mark Antony arrives on the scene: Though now we must appear bloody and cruel, As by our hands and this our present act You see we do, yet see you but our hands And this the ...
... effect. In the theatre they are often addressed as much to the auditorium as they are to the onstage crowd – appropriately enough since, as we shall see, the play itself is doing something very similar to what Brutus and Antony are ...
... effect, startling in any century, would have been particularly acute at the Globe in 1599. We are used to theatrical performances being mainly evening events, whereas in Shakespeare's time they took place in the afternoon; if you were ...