Julius CaesarPenguin UK, 07.04.2005 - 272 Seiten 'Cry havoc and let slip the dogs of war, |
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... turning points were the work in England of two theatre directors, William Poel (1852–1934) and his disciple Harley Granville-Barker (1877–1946), who showed that the application of knowledge, some of it newly acquired, of early staging ...
... turning point in his professional career: already a senior member of his acting company, with the building of the Globe theatre he became the part-owner of a London playhouse. The play, too, represents a turning point in his development ...
... turn us from audience into mob and induce us, as they do the Romans, to riot, burn down buildings and murder innocent poets. In the end we need to see through what Antony says in the same way that we saw through the rhetoric of Brutus ...
... turning down a leaf, as Brutus has done in the book he reads in his tent at Sardis (IV.3.271). Clearly, one cannot claim strict historical authenticity for this version of ancient Rome. But arguably it's not that sort of authenticity ...
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