Essays by Divers HandsOxford University Press, 1965 |
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Seite 108
... Seferis , before he had come into direct contact with modern English poetry , was making use of the technique fundamental to T. S. Eliot and Ezra Pound - the conscious ... Seferis in his early period , 108 THE GREEK POET GEORGE SEFERIS.
... Seferis , before he had come into direct contact with modern English poetry , was making use of the technique fundamental to T. S. Eliot and Ezra Pound - the conscious ... Seferis in his early period , 108 THE GREEK POET GEORGE SEFERIS.
Seite 110
... Seferis was with the so - called new ' mythical ' school in England ; ' We keep the symbols and the names that the myth has brought down to us ' , Seferis writes , ' suffice it we know that the typical characters have been changed in ...
... Seferis was with the so - called new ' mythical ' school in England ; ' We keep the symbols and the names that the myth has brought down to us ' , Seferis writes , ' suffice it we know that the typical characters have been changed in ...
Seite 121
... Seferis uses the technique of the English ' Mythical ' school : the restatement of relevant aspects from the great past in a contemporary context . But , as ... Seferis's Odysseus to reach . Eliot , who had THE GREEK POET GEORGE SEFERIS 121.
... Seferis uses the technique of the English ' Mythical ' school : the restatement of relevant aspects from the great past in a contemporary context . But , as ... Seferis's Odysseus to reach . Eliot , who had THE GREEK POET GEORGE SEFERIS 121.
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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A. N. Whitehead achieved artist autobiography believe called Castlewood century character Charlotte Brontë dark discourse dreams element Emma emotional Esmond experience eyes fact feel Flaubert Foul Papers George Seferis girl give Greek hand high eastward hill human images imagination implication J. B. Priestley kind knowledge language literary critic literature living London look Louise Colet Madame Bovary means memory metaphor mind modern moved myth Mythical nature never Newcomes novel novelist passage Pendennis perhaps play poem poet poet's poetic poetry R. A. Butler reader reality remember rhythm RICHARD CHURCH romantic romanticism scene scientific scientist seems Seferis Seferis's sense Shakespeare smell social soul Southwark Cathedral story style suggest symbol Thackeray Thackeray's theme things thought tion tone tragic Vanity Fair walk wanted West Riding whole woman words working-class writing written Yorkshire fiction young